
Critic Reviews
51
Metascore
Mixed or Average
positive
8(44%)
mixed
5(28%)
negative
5(28%)
Showing 18 Critic Reviews
Jun 18, 2018
100
Izzy Gets The F*ck Across Town is as delightfully offbeat as the title suggests, with an engaging and heartfelt story. Smartly written with stellar acting and deft direction, this hilarious movie demands to be seen as soon as possible.
Jul 19, 2018
75
Izzy Gets the Fuck Across Town is a well-made showcase for its talented star. And while it doesn’t quite establish Papierniak’s directorial vision, it does hint at what that might be. It’s a fun hour-and-a-half, inessential but entertaining nonetheless.
Jun 18, 2018
70
Davis seems to be down for whatever develops...playing Izzy with energetic animation as she bounces from one manic situation to the next. Osment and Shawkat make the most of their brief, amusingly awkward scenes, while Coon's attempts to behave like an actual adult are skillfully undone by Izzy's determined disorderliness.
Jun 21, 2018
70
Papierniak’s film is energetic, jam-packed with talent and has a likable indie throwback feel with some memorable moments.
Jun 21, 2018
65
Although uneven, both its conclusion and its hero make Izzy Gets The F*ck Across Town a journey worth taking.
Jun 17, 2018
63
Christian Papierniak manages to get a tricky tonal balance more or less right, capturing the false sense of superiority that Izzy projects over her environment without allowing the film itself to revel in said superiority.
Jun 19, 2018
63
It helps that Davis is insanely charismatic onscreen, but her ability to showcase the vulnerability and scar tissue beneath this human embodiment of an extended middle finger gives the movie a semblance of depth.
Jun 21, 2018
63
Charmingly profane, with a buzzing riot-grrrl soundtrack, “Izzy” is a stylish twist on an ’80s trope: Here it’s the woman as pathetic supplicant, trying to win back someone who’s moved on.
Jun 21, 2018
60
The film is about being overwhelmed by Los Angeles, its sprawling indifference, but also about finding your place in it — and even, at times, its welcoming warmth.
Jun 21, 2018
60
It’s uneven practically by design, with a tone that slides all the way from kooky farce to anguished psychological study, just about held together by Mackenzie Davis’s lively, spiky turn in the lead.