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SummaryCalled the greatest rock film ever made, this landmark documentary follows the Rolling Stones on their notorious 1969 U.S. tour. When three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco’s Altamont Speedway, Direct Cinema pioneers David and Albert Maysles and Charlotte Zwerin were there to ... Read More

Gimme Shelter

Metascore
85
User score
Generally Favorable
7.4
My Score
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Metascore
85
92% Positive
11 Reviews
8% Mixed
1 Review
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
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100
San Francisco Examiner
Timeless, and as fine a depiction of human folly as you're likely to see at the movies.
100
Entertainment Weekly
Remains the only rock & roll film that exerts the saturnine intensity of a thriller.
100
Boston Globe
The impact of this stunning film - and the lessons to be learned from it - are as remarkable as when it was first released 30 years ago.
80
Variety
Captures that petulant omnisexuality that made many adults consider Jagger a threat to their daughters, sons and household pets alike.
80
L.A. Weekly
Signals the real end of the party, charting a denouement that arcs from blissful ignorance to violence and its ever-present threat to a final retreat.
75
Christian Science Monitor
The topic is well-suited to the Maysles brothers, who helped pioneer reality-centered "direct cinema" techniques.
60
Chicago Reader
A strong example of the cinema verite style at work, yet few films of the school show up the crisis of its "noninvolvement" policy more tellingly.
See All 12 Critic Reviews
User score
Generally Favorable
7.4
81% Positive
13 Ratings
6% Mixed
1 Rating
13% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Sep 5, 2024
8
drqshadow
A documentary crew tails The Rolling Stones for a leg of their 1969 North American tour and unwittingly captures one of the nastiest, bloodiest all-day concerts in music history: the infamous Altamont Speedway show. Mostly pieced together from ambient handheld shots filmed at the festival and screened without narration, it's a stunning stream-of-consciousness presentation of the crowds, cultures and events that led to the angry, violent personality of the gig itself. It's stunning just how little foresight and planning went into this event. Two days before, organizers were still trying to settle on a venue with no mind paid to parking, waste management or security. Maybe that kind of approach could have worked for a smaller show, but with a crowd in excess of 300,000 showing up to experience what was portrayed as “The Woodstock of the West," the only possible outcome was total, unmitigated chaos. And that's what they get, as a pushy, balls-tripping audience runs headlong into a moody, fight-spoiling security outfit and lights a tragic set of fireworks. A painfully slow degradation of civility and humanity set to music, it's a dark counterpoint to the radiant, optimistic attitudes seen at Woodstock.
Oct 12, 2025
7
codyz
Solid documentary, Wise to show Stones performanes of all their hits at the beginning, then cuts back tthe last minute slapdash set up of a free concert at Altamont Speedway, Documenting the drug alcohol fueled escalating violence, starting the afternoon, and resulting in stabbing of concert goer by Hells Angels, Colossal miscalcuation by Stones, and the promoter by hiring criminal thugs Hells Angels as security, Exciting pumped up concert music vibe gives way to a somber, horrific end to the 60's, The nail in the coffin of the flower power hippe love era.
See All 16 User Reviews
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  • Maysles Films
  • Penforta
Dec 6, 1970
1 h 31 m
The Rolling Stones gave a concert in Altamont, Calif. The Hell's Angels policed it. Four people died. This is the Actual Film Story.
Cinema Eye Honors Awards, US
• 3 Wins & 3 Nominations
Golden Trailer Awards
• 1 Nomination
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