Critic Reviews

As fascinating - and at times oblique - as the famous couple themselves.

The Eamery, as some called it, was highly successful as a business - and, more important, as an exercise in tastemaking. "We wanted to make the best for the most for the least,'' the Eameses like to say.

A must for those with an interest in modern design.

Jason Cohn and Bill Jersey's sprightly documentary weighs its subjects' unique accomplishments and widespread influence while probing a relationship more complex than its sunny public face indicated.

The most gratifying thing about "Eames" is that it shows, in marvelous detail, how their work was an extension of themselves and how their distinct personalities melded into a unique and protean force.

As this engaging, if rote, doc points out, the name Eames, much like Victorian, now defines the style of an era. Yet how many of us knew that the industrial designers behind those midcentury molded mod chairs were an eccentric married team?

Thorough if workmanlike documentary.

Structurally lopsided, the narrative jumps directly into the success of their first molded-plywood chair, and meanders from there into the numerous short films the Eames Studio made for government agencies and IT companies.

"I think their marriage was a mystery to everyone," an Eames worker notes - an observation true of every couple that you'll wish the filmmakers had explored more deeply.