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An American Pickle

Critic Reviews

58
Metascore
Mixed or Average
positive
20(51%)
mixed
17(44%)
negative
2(5%)
Showing 39 Critic Reviews
Aug 18, 2020
79
Polygon
The film’s plot, adapted by Simon Rich from one of his short stories, is unfortunately saggy. But Rogen’s performance remains rock-solid throughout.
Aug 3, 2020
75
Chicago Tribune
This one’s more than one kind of comedy, too. It’s a sweet yet nicely vinegary immigration fable; a deadpan fantasy; and a tale of two Brooklyns, one (1920) a repository of rat-infested factories and Eastern European Jewish immigrants, the other (2020) the gentrified land of their progressive, pea milk-drinking great-grandchildren.
Aug 3, 2020
75
The Globe and Mail (Toronto)
While Rich’s script misses a few trickier opportunities to further dig into questions of religion and history – Herschel sleeps his way through the entirety of the Second World War, yet there’s never any discussion of how the Holocaust has irrevocably changed the world he wakes up in – An American Pickle is a movie that your bubbe will love.
Aug 3, 2020
75
Observer
An American Pickle uses arguably the dumbest concept imaginable to tell a surprisingly tender story about intergenerational pain, legacy, family, forgiveness, American division, Jewish heritage and the importance of family roots.
Aug 3, 2020
75
The Playlist
An American Pickle is a most unexpected Seth Rogen film, maybe less funny than you hoped, but still charming, amusing, and far more considered than you would have ever thought.
Aug 5, 2020
75
San Francisco Chronicle
That none of this seems snarky, but sweetly human, is largely thanks to Rogen, who never makes Herschel ridiculous, but aspirational, as if he has a vision he’s working toward.
Aug 3, 2020
70
The Hollywood Reporter
An American Pickle is neither the most substantial nor the most sophisticated comedy, but its soulful sweetness outweighs its flaws.
Aug 3, 2020
70
IGN
All in all, An American Pickle is a solidly entertaining comedy. Its oddball conceit dares audiences to take the plunge, and Seth Rogen rewards them with Herschel, who is bold, thrilling, and a little bit bonkers.
Aug 4, 2020
70
New York Magazine (Vulture)
When it works, which it does most of all in its opening and closing acts, it’s because it manages to give a surprising emotional solidity to what’s otherwise a whimsical premise.
Aug 5, 2020
70
Los Angeles Times
It gestures toward controversial ideas but always swerves back to a simple but profound message of togetherness and family, and the personal importance of honoring tradition and memory.
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