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SummarySam and Jonathan, a pair of hapless novelty salesman, take us on a kaleidoscopic tour of the human condition in reality and fantasy, unfolding in absurdist episodes: a sing-along at a 1940s beer hall, a randy flamenco teacher, a thirsty King Charles XII of Sweden en route to battle, and a diabolical metaphor for the horrors inflicted by European ... Read More

Directed By:Roy Andersson

Written By:Roy Andersson

A Pigeon Sat on a Branch Reflecting on Existence

Metascore
must-see
81
User score
Generally Favorable
6.7
My Score
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Metascore
81
83% Positive
20 Reviews
17% Mixed
4 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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  • Negative Reviews
Jun 2, 2015
100
Village Voice
Some critics find Andersson's latest redundant, arguing that its sketches lack the freshness of those in Songs From the Second Floor. I found it the fullest flowering yet of his approach, with Andersson orchestrating his finest dada — and even risking tenderness and horror.
Sep 14, 2014
100
The Guardian
What a bold, beguiling and utterly unclassifiable director Andersson is. He thinks life is a comedy and feels it’s a tragedy, and is able to wrestle these conflicting impulses into a gorgeous, deadpan deadlock.
User score
Generally Favorable
6.7
60% Positive
31 Ratings
23% Mixed
12 Ratings
17% Negative
9 Ratings
  • All Reviews
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  • Mixed Reviews
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Jan 2, 2016
10
joehavermann
*MILD-TO-NONEXISTENT SPOILERS: Describes a couple of the stories, but in the type of depth that you'd expect from a traditional newspaper review* A man half-heartedly looks at a series of exhibits in a museum before pausing with mild interest at a pigeon on a branch: it's dead, obviously. In the distance is a skeleton of a dinosaur, ancestor to the modern bird. So begins this extraordinarily dry, Swedish existentialist comedy – a collection of vignettes that poke fun at the absurdity of the human condition. In an early scene, a man lies dead on the floor of a cafeteria that looks like it's located in an airport. Unfortunately, the EMT reports, the man cannot be revived. But this creates a dilemma because, as the cashier explains to the authorities, the man had just paid for a beer and a shrimp sandwich. Yes, the authorities agree, it would be unethical to charge people for a meal that has already been paid for. And so the cashier calls out to the gawking onlookers: "Would anyone like a shrimp sandwich? Or a beer? It's free." I don't think I'm ruining anything when I say that arguably the film's crescendo is a debate among people standing at a bus stop over what day of the week it is. The stories are told with extreme irreverence, and at times they tread into the surreal. They are so thematically similar that the work feels more like a feature-length film than a series of shorts. This film is an example of the sum being greater than the whole of its parts. Told individually, the stories are funny, but taken together, they create a film that is thought-provoking and strangely moving.
Nov 8, 2015
10
smartmart
Full of beauty and hilarity, this is a film that certainly isn't for everybody, but I definitely enjoyed it! There are so many great comic moments, as well as a wonderful emotional side. Watch the trailer, if you don't think it looks good to you, then you probably won't enjoy it.
Jun 11, 2015
88
Boston Globe
It’s all as entertaining as it is outlandish.
Jun 2, 2015
80
Time Out
Excruciatingly funny and streaked with coal-black humor.
Sep 14, 2014
80
CineVue
Andersson packs his film with thought-provoking deadpan humour.
Jun 1, 2015
75
Slant Magazine
It confirms the Roy Andersson universe as one of near-fossilized similitude, in which any effort or movement is disruptive, revealing new cracks in the set illusion of order.
Jun 25, 2015
50
Movie Nation
Beware of any advertising that labels Andersson “wacky” and this a comedy. Even by deadpan Swedish standards, this is pretty dry.
See All 24 Critic Reviews
Jan 6, 2017
8
RonWillis
I believe a few people will think this film brilliant, and a lot of people will think it is nonsense. I tend to lean toward thinking it is brilliant. In a film where it seems not much is really happening, what does happen happens so oddly as to become beautiful. I was mesmerized.
Aug 19, 2015
6
Raven25
The reason this movie has been reviewed so highly by critics is because it criticizes the capitalist economic system and it does so with taste and grace. It is not really a comedy, just a dark satire of the issue. The movie is well done, but ultimately unoriginal. It rehashes socialist rhetoric that is getting onto one hundred years old (but it does it well). The criticisms are valid and true but unfortunately as with all socialist rhetoric, it proposes no alternatives. I find it ironic that only a few decades after the collapse of the Soviet Union, a communist country, the same grey and drab imagery full of emptiness and suffering is being used to criticize capitalism in this movie. If you're already a socialist or feel like having that political agenda shoved down your throat for one hour and forty minutes, go for your life. Otherwise, just watch some of the funnier bits on youtube.
Nov 25, 2021
5
DawdlingPoet
First off, I hadn't realised this is apparently the 3rd in a trilogy of films, which is the first thing we learn via text on screen at the start of the film. The people depicted all appear literally bright white, as if ghostly figures. It is quite quirky and a bit surreal. The surroundings depicted appear somewhat cartoonish at times, although I'm not sure I can explain why. Something about it makes it seem as if we're witnessing a dream. The comedy present is very much dark comedy but I did find myself laughing at times. It is somewhat bleak in tone but it also features some rousing musical numbers and I found myself quite enjoying it, as I wasn't sure what to expect next, given its quirkiness. It is very bizarre and I feel it contains a number of allegories. Its hard to describe this film otherwise, although it moves at a plodding pace, so if you like fast paced films then this won't be for you. It is very much observational based. I should say that it turns darker and more sombre towards the end. Would I recommend it? yes I would, if your looking for something different and not full of cliches and especially if you like world cinema, then this may interest you.
Jun 12, 2015
2
NYCjosh
Don't believe the hype. This is the kind of movie that critics live and real people can't stand. It's supposed to be some kind of grand commentary on humanity -- it's not. It's not funny either. I like "arty" and atmospheric movies, but I was very close to walking out of this one -- in retrospect, I wish I had.
May 17, 2026
0
HellYep
This is the kind of film that critics are too scared to admit is just bad. Beware any reviews that claim it is 'funny', it simply is not. And yes I love art movies, this one is just simply a waste of time and doesn't reveal anything about the human condition – humorous or profound.
See All 52 User Reviews
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  • Roy Andersson Filmproduktion
  • 4 1/2 Film
  • Arte France Cinéma
  • Coproduction Office
  • Essential Filmproduktion
  • Sveriges Television (SVT)
  • ZDF/Arte
  • Centre national du cinéma et de l'image animée (CNC)
  • Eurimages
  • Film- und Medienstiftung NRW
  • Nordisk Film & TV-Fond
  • Norsk Filmfond
  • Stiftelsen Svenska Filminstitutet
Jun 3, 2015
1 h 41 m
PG-13
Guldbagge Awards
• 1 Win & 7 Nominations
European Film Awards
• 1 Win & 5 Nominations
International Cinephile Society Awards
• 1 Win & 4 Nominations
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