Ema Sasic

While the film follows a standard rom-com format, the real fun lies in a never-ending funhouse of delightfully unhinged supporting actors.

In the end, Magic Hour is quite a mixed experience. There are plenty of real, raw emotions on the screen and the page, but the screenplay feels too repetitive and surface-level for most of the runtime.

Joker: Folie à Deux does many things right to deliver a fresh and unique sequel to the dark story of Arthur Fleck.

Outcome has good intentions, aiming to show the real side of Hollywood, but odd choices muddle its results. It wants to have all these emotional moments and still be a funny take on Hollywood, but often one is frustratingly sacrificed for the other. It’s a shame considering all the comedy and showbiz experience Hill can bring to this project.

Slanted has many interesting elements at play, not only in its own story but also in the films it draws inspiration from. Unfortunately, it just doesn’t go far enough in the end.

Marczak’s film is a testament to a parent’s unwavering love and their willingness to do whatever it takes to bring their child home.

You’ll know where Goodbye June is headed very early on, but that doesn’t mean there’s not enough here to enjoy along the way.

Little Trouble Girls is a confident debut from Djukić, who captures so much life and perspective into a dreamy 90-minute film. Making it even more impressive are wonderful debut performances from Ostan and Svajger.

Despite its faults, Song Sung Blue is a sentimental, deeply non-cynical film that practically anyone can enjoy, and is sure to be a holiday-season winner.

Overall, Obsession turns the volume up on impassioned romances with some incredibly committed performances from stars Johnston and Navarrette, and the wild scenarios they have to navigate. This is a film that demands to be seen with an audience to experience some high-energy creeps, chills, and thrills.