Created By:B.J. Novak
The Premise
Season 1 Premiere:
Sep 16, 2021
Metascore
Mixed or Average
52
User score
Generally Favorable
6.6
My Score
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Metascore
Mixed or Average
52
38% Positive
6 Reviews
6 Reviews
44% Mixed
7 Reviews
7 Reviews
19% Negative
3 Reviews
3 Reviews
Sep 13, 2021
80
While it’s clear that Novak has a take on the big topics, his script largely serves as a canvas for a cadre of quick-witted, deliciously entertaining characters—played by titans like Lucas Hedges, Jon Bernthal, Daniel Dae-Kim, Kaitlyn Dever, and Tracee Ellis Ross. ... The script twists around drama-comedy corners in an altogether promising showcase of dexterity.
Sep 10, 2021
75
One thing all five episodes have in common: They’re smart, thought-provoking and worth watching.
Sep 9, 2021
65
The ultimate worthiness of The Premise taking up your time is going to be based on your individual patience level for uneven storytelling. And that’s a shaky premise to build a series upon.
Sep 9, 2021
42
Novak is probably still best-known for having once been a writer, producer, and actor on The Office, which makes The Premise’s failures as comedy all the more frustrating. Oddly, the series is much, much better when it’s playing straight.
Nov 3, 2021
40
Novak is an accomplished writer and actor, best known for the US version of The Office, but The Premise seems to take novel ideas and flatten them out.
Sep 9, 2021
33
A few interesting performances from an ensemble that’s too talented for this show save it from complete disaster, but every single one of the five episodes of “The Premise” takes an admittedly interesting idea and almost stubbornly refuses to explore it, as if the very experiment of this series is one in shallow writing.
Sep 9, 2021
30
Most of the episodes feature lengthy, clumsy bits of dialogue or monologue that feel ripped from the daily concerns — and the ranty, discursive way of talking at, not to, one’s followers — of social media. ... Only one episode here seems to get at what “The Premise” was trying to do — create, through storytelling ratcheted past the point of plausibility, a situation that places a frame around certain intractable sensations of living in this moment.
User score
Generally Favorable
6.6
60% Positive
6 Ratings
6 Ratings
20% Mixed
2 Ratings
2 Ratings
20% Negative
2 Ratings
2 Ratings
Sep 17, 2021
7
It's hard to rate an anthology series based on just two episodes, but the two episodes gives us enough to get a feel for what B.J.Novak is trying to achieve. His "anthology of now", which sounds like a tagline that Novak' s character from the Office would come up with, is basically The Twilight Zone minus the supernatural. Taking social issues and stretching and twisting them like taffy until the "ah hah" conclusion. Whereas Jordan Peele' s current take on the classic series was criticized for wearing it's message on it's sleeve, The Premise wears it's messages as the full coat. The first episode veers into absurdity when a sex tape is entered into evidence in a police cover up case (a portion of the video shows the police activity), and the person on the tape becomes under scrutiny more than the case at hand. It can be an analogy of how victims, such as of sexual assault, are judged on the stand as harshly as the perpetrator. It's well acted and clever to a degree, but subtle, it ain't. The second episode is as different as day and night, especially if viewed back to back. Jon Bernthal seems to channel his inner DeNiro (he gives a sly little smile at times and there's tension behind his agreeable facade) as a new employee **** lobby organization with a painful past. Bernthal gives an amazing performance that is open and guarded at the same time. And Novak directs the episode very well. Anthology shows will have hit and miss episodes. Even the brilliant Black Mirror will have episodes that don't stick the landing. But I give FX credit for giving Novak a platform to tell his stories despite the "get the MESSAGE? huh?" approach to his storytelling.





























