The pilot is plodding at times, the result of a few too many heart-to-heart discussions among the characters. Still, Williams, Holliday and Heard create such fresh, memorable characters that it's impossible to get bored. [16 Sept 1995, p.E7]

This is hardly a plot to test Hercule Poirot's little gray cells. It is a fairly typical movie-of-the-week type action-lawyer show, and Reggie's a nice change as the strong-woman-hero character. 16 Sept 1995]

A first-rate movie thriller has been turned into a second-rate TV show, but upper-second-rate, not lower. And among this season's new entries, with one or two exceptions, second-rate is about as good as things get. [16 Sept 1995, p.D01]

Williams, though, in both Sunday's telemovie and the subsequent Tuesday-night regular episode time-slot at 8, is too reserved and colorless. [15 Sept 1995, p.127]

The original pilot was a mess, confusing and annoyingly full of holes, but an extremely well-cast mess with a lot of potential. [17 Sept 1995, p.6C]

Say what literary critics will about John Grisham's best sellers, they're not dull. And dull is about the best you can say of the series derived from John Grisham's The Client. [15 Sept 1995, p.3D]

As TV's gold-hearted Reggie, the capable JoBeth Williams is undermined by a script with plot holes wide enough to drive the Atlanta Braves and their families through. The plodding, convoluted, unnavigable story has her resourceful 11-year-old client -- the court has made her his legal guardian -- gaining possession of $1 million in stolen loot, putting both of them in conflict with some murderous types.