Hilariously crafted, thrillingly paced, and brimming with the kind of raw honesty rarely found on TV, “Feel Good” will certainly make you feel, if not necessarily good, then something refreshingly real.

Feel Good should make you feel good. It’s not only an immaculately written and paced piece of work and a properly funny comedy, it is also has created a delicately and intricately constructed, deeply humane world where people make mistakes but are not damned, and have flaws that are not fatal, and – despite all the obstacles – connect across and despite their divides. It is good for almost everything that ails us.

Feel Good manages to do all this intricate story work about gender, sexuality, addiction, and relationships while establishing a clear comedic voice right from the start. ... It doesn’t always feel good to watch it, but that’s part of Feel Good’s magic. It tells a story full of discomfort and insecurity with self-assuredness, empathy, and charm.

What it lacks in rom-com purity it makes up for in substance. I found myself rooting for the couple to stay together and also get the hell apart. It’s a buoyant, bingeable comedy that’s worth arguing about. Trust me when I say: It feels good enough.

Feel Good isn't a series without joy or pleasures, mind you, but it's mostly a tart, clear-minded, sometimes funny series about exactly how much (or little) damage love can repair and the harder, more personal work necessary to fix what's left.

If you’re in the mood for a show that prioritizes realistic humor and heart over static connect-the-dots storytelling, you’ll enjoy the subtle charms and overwhelming sincerity of Feel Good.

Although this opener had plenty of charm, it wasn’t quite funny enough. There were decent lines about Guernsey, eggs (“I call them the devil’s orbs”) and penetrating somebody’s inner sanctum (you can imagine the rest), but the gaps between gags were simply too long.

Quick witted,provocative and confusing (rarely) . Feel good ,as it's titpe suggests is a deely personal journey through the pitfalls of addiction and gratification culture which leave our generation unsatisfied. Mae's quasi autobiographical hand grounds the story so that it feels like a four dimensional protagonist who's actions aren't cliché or sensationalist but informed and clever. If you can make it through without laughing breathlessly in between tears then you are stronger than me.

The script may have been good, but it was hard to tell because the acting is hammy, each character appears to believe that they are screamingly funny (which they are not). Kudrow does what she can do to elevate this steaming pile but its not really enough.

Watched both seasons, love George, but Mae that's a different story. I found her to be some needy narcissist. She's a comedian who's really not funny, why I've never heard of her. Watching both seasons all George did was babysit this overgrown child. I wasn't rooting for them to stay together, quite the opposite. Run George as fast as you can....

Comedy... hmmm, I tried to get into this, but I could not. Maybe invest in a better casting budget next time. Felt forced. I could not watch more than two episodes, maybe the acting improved in later episodes, but I'll never know.