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Crowded

Critic Reviews

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44
Metascore
Mixed or Average
positive
2(11%)
mixed
12(67%)
negative
4(22%)
Showing 18 Critic Reviews
Mar 14, 2016
67
Uncle Barky
Together they [Patrick Warburbon and Carrie Preston] put a fair amount of zing into NBC’s New York City-set Crowded, which otherwise has a thoroughly shopworn premise and an increasingly outdated laugh track.
Mar 14, 2016
63
USA Today
The series may lean on them [Patrick Warburton and Carrie Preston] to bolster a faltering script more than it should, but there’s no question that when they’re on screen (which is most of the time), Crowded manages to chug along.
Mar 11, 2016
58
Newsday
A genial, old-fashioned--nay, prehistoric--family sitcom on the wrong network.
Mar 15, 2016
58
The A.V. Club
Like Hot In Cleveland, it’s throwback TV, with all the unfussy charms that implies. Some weak conceptual components aside, what it offers is the warm comfort of the familiar.
Mar 14, 2016
50
San Francisco Chronicle
The series is not crowded with laughter, but things begin to look up by the third episode.
Mar 15, 2016
50
St. Louis Post-Dispatch
Every single thing about Crowded feels familiar, as if we've seen it many times, which we have.
Mar 21, 2016
42
The Lincoln Journal Star
The comedy comes off as a less funny “Modern Family,” with the daughters uncannily similar (one’s dim and fashionable; the other is smart and geeky) to the “MF” girls.
Mar 12, 2016
40
Reason.com
Warburton's expressionlessly ironic delivery turns repetitious; the situations unfunny and even creepy (do daughters really announce their alternative sexual proclivities by making out with a girlfriend in front of dad?) By the end of the second episode, you may even find yourself longing for a good Bill Cosby rape joke.
Mar 14, 2016
40
Variety
Crowded feels like a throwback on every conceivable level.
Mar 14, 2016
40
The New York Times
Mr. Warburton is his usual deadpan self as Mike, which makes him seem decidedly out of place in this household, where everyone else is over-energized and overacting. This series, created by Suzanne Martin and inspired by her own life, has a throwback feel, with lots of quick gags and not much depth.
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