Brian Lowry

What makes it all work, moderately, is Union, who manages to portray Mary Jane as relatable, sexy and vulnerable, without being a saint or goody-two-shoes.

In terms of top-notch sci-fi fare on a budget, this impressive new vessel flies well beyond its predecessor.

[Its] tepid execution and uneven performances don't exactly master its possibilities.

Despite some highlights, this foray into “The Twilight Zone” territory mostly lacks the requisite punch Showtime’s “Masters of Horror” delivered, primarily owing to episodes with inadequate payoffs. Limited series should spur curiosity among King acolytes, but too few of the installments really pop creatively.

This peculiar project — at times spooky but, at least initially, never remotely scary — is going to have to get significantly better fast to put any kind of a dent in “Law & Order” and make Mouse House execs feel sanguine about its Nielsen life signs.

This live-action series from “The Boondocks'” Aaron McGruder and director Mike Clattenburg is also disarmingly and pretty consistently funny, buoyed by Gerald “Slink” Johnson’s portrayal of You Know Who.

[Writer-director Ezra Edelman] has responded with, even in the annals of ESPN’s “30 for 30” docs, what feels like a master opus.

A thoroughly uninspired drama about a pandemic.

Cena brings energy and earnestness to the hosting chores, as do the mentors. Yet barring audiences forging some unforeseen bond with the by-the-numbers competitors, American Grit seems too familiar and derivative.

Meticulously produced, cast to the hilt and boasting powerful performances by Kerry Washington and Wendell Pierce in the lead roles.