Critic Reviews

The movie is a coming-of-age story, but whose age is coming? That's the profound question we're left with, in a stellar adaptation that balances gore with black humor, ethical quandary, hope and—yes—plenty of brains.

The best zombie-ish apocalypse in years. Sennia Nanua is a major discovery, but it’s the dense social commentary and moral dilemmas that will haunt you.

The Girl With All the Gifts is full of surprises. It keeps shifting before our eyes, from atmospheric horror to intense survival thriller to thoughtful contemplation of humanity’s place in our planet’s food chain.

It’s a film for people who thought they never needed to sit through another zombie flick.

What really separates The Girl With All the Gifts from the genre pack, however, is its moral intelligence, clever thematic consistency (drawing on the Greek myth of Pandora’s box) and emotional heft, the latter component rooted in the truly captivating breakout performance of young Nanua.

The film ends exactly one scene too late, lessening the brutal statement its ending might have made. But these really aren’t deal-breakers in a crisp bullseye of a debut feature which has guts and brains to spare.

The Girl With All the Gifts really does offer up a fleshed-out world rich with eerie implications, saving the biggest one for the memorable finale.

Starts off strong but dilutes its impact with every consecutive reveal.

What distinguishes “Girl” from most zombie pictures is Nanua’s appealing performance and a chilling scene toward the end.

The resulting tale is a wicked, gory and even occasionally funny take on George A. Romero.