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On Any Sunday: The Next Chapter

Critic Reviews

53
Metascore
Mixed or Average
positive
3(30%)
mixed
6(60%)
negative
1(10%)
Showing 10 Critic Reviews
Nov 15, 2014
80
Variety
An intoxicating blend of exotic travelogue, death-defying derring-do, and affecting profiles in courage and perseverance.
Nov 6, 2014
70
The Hollywood Reporter
It's a visually stunning experience. Even the shots of riders crashing, and there's enough of them here to fuel a dozen PSAs, achieve a haunting visual poetry.
Nov 7, 2014
63
RogerEbert.com
What follows is all handsomely shot and not without some general interest — but the movie’s only really going to play for you if motorcycles and those who ride them are subjects to which you’re somewhat sympathetic.
Nov 5, 2014
60
The Dissolve
On Any Sunday: The Next Chapter is doggedly down the middle, mixing sports action with talking-head interviews, set to an eclectic soundtrack of rock and country music. The movie feels scattered, jumping too quickly from subject to subject, with little of the original’s visual poetry.
Nov 6, 2014
60
Los Angeles Times
"Next Chapter" may not exhibit the scrappy charm that characterized the first film's glimpse into a marginalized but colorful world, but for devotees, Dana Brown has assembled a love letter to a now-global culture.
Nov 5, 2014
50
New York Post
The single theme is “Isn’t this cool?” And if your response is, “Well, it’s certainly loud,” then On Any Sunday probably isn’t for you.
Nov 5, 2014
50
Austin Chronicle
What’s missing here is the full adrenaline rush associated with this dangerous but exhilarating sport and pastime. The documentary’s start/stop narrative structure never allows anything to accelerate full throttle.
Nov 4, 2014
40
Village Voice
If anything unites On Any Sunday: The Next Chapter's cyclists, it's Brown and Rousseau's inability to highlight their subjects' most singular qualities.
Nov 6, 2014
40
The New York Times
Motorbikes careening round corners just millimeters off the track still quicken the pulse, but “The Next Chapter” also demonstrates the padding that documentaries in general have picked up in recent years.
Nov 6, 2014
38
Boston Globe
The fundamental value put forth in Brown’s “Sunday” sequel is not fearlessness but “family.”
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