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SummaryIn 1921 Jimmy Gralton’s sin was to build a dance hall on a rural crossroads in an Ireland on the brink of Civil War. The Pearse-Connolly Hall was a place where young people could come to learn, to argue, to dream, but above all, to dance and have fun. As the hall grew in popularity its socialist and free-spirited reputation brought it to the atte... Read More

Directed By:Ken Loach

Jimmy's Hall

Metascore
Generally Favorable
63
User score
Generally Favorable
7.3
My Score
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Metascore
Generally Favorable
63
58% Positive
14 Reviews
42% Mixed
10 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 17, 2015
88
Philadelphia Inquirer
There's humanity here, on all sides, and a gentle wisdom beneath the raging rhetoric.
May 25, 2014
80
Variety
A minor-key but eminently enjoyable work by a master craftsman.
User score
Generally Favorable
7.3
53% Positive
8 Ratings
47% Mixed
7 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Nov 25, 2021
7
DawdlingPoet
I enjoyed the scenes of traditional Irish dance and the feel of community with the numerous locals getting together to make use of said hall. Of course there is a darker side to the story and it'd be fair to say its main theme is intolerance. There are scenes of violence depicted and I was a little squeamish on ocassion, thats not to say there's especially graphic, gorey scenes present (although some bloody injury is depicted in passing) but its more a case of what things represent, the metaphors at play, the social commentary aspect that I found sobering. Its worth a watch.
Feb 21, 2016
7
EpicLadySponge
Not the best type of movie I've ever seen from a Sony movie, but it could work as just a plain movie we'll probably see before then and after now. Most likely mixed reviews coming in from users.
Jul 3, 2015
75
RogerEbert.com
It’s just another solid Loach film, an affectionate realist portrait of individuals fighting against state and religious oppression. In this case the setting, as it was for his 2006 Cannes Film Festival Palme d’Or winner “The Wind That Shakes The Barley,” is Ireland.
Jun 30, 2015
63
New York Post
As lovely as Jimmy’s Hall is, Paul Laverty’s script is not so much talky as speech-y. Some conversations play like bullet points about Irish politics and the iron grip of the Catholic Church.
Jul 2, 2015
60
The New York Times
The screenplay is vague not only about politics but also about the history of Jimmy’s unconsummated relationship with his former sweetheart, Oonagh (Simone Kirby), now married, whose wide Susan Sarandon eyes express a wistful sadness.
Jul 2, 2015
50
The Dissolve
If this is, as he claims, indeed his last film (or at least last big narrative feature), he’s retiring with the courage of his convictions intact. If only he was expressing them more vigorously.
May 25, 2014
40
CineVue
The characters of Jimmy's Hall aren't really characters as much as archetypes: the saintly mother, the sweetheart, the hero, the villain. This is the kind of film where people don't argue - they debate - speaking in lines from manifestos and creating an incongruity.
See All 24 Critic Reviews
Dec 18, 2021
6
Mauro_Lanari
(Mauro Lanari) Compared to today's situation, I imagine that Loach's orthodox Marxism is outdated and in need of a substantial upgrade. But some cornerstones have not changed: "I take it back, Father. You do listen [in the confessional], but only when we're on our knees." In the 2nd post-war period Bloch would have called this strenuous defense of human dignity "the orthopedics of the upright posture". Chilling also the phrase of the capitalist, convinced that he is the only true benefactor of humanity thanks to his philanthropy.
Nov 21, 2015
6
smiyamot
Interesting set up and beginning to the movie, but not much happens to a disappointing conclusion. Good analogy to today's problems of the 1% controlling the government and police while the poor have no way out.
Jul 18, 2015
6
Brent_Marchant
A moderately inspiring tale of courage and conviction that, unfortunately, gets bogged down in excessive talkiness and a deluge of 20th Century Irish politics at the expense of character development and a cogent narrative. The overall effect is a film striving to make a point but never fully succeeding.
See All 15 User Reviews
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  • Sixteen Films
  • Why Not Productions
  • Wild Bunch
  • Element Pictures
  • British Film Institute (BFI)
  • Film4
  • Bord Scannán na hÉireann / The Irish Film Board
  • France 2 Cinéma
  • Canal+
  • Ciné+
  • Le Pacte
  • Les Films du Fleuve
  • Longride
  • France Télévisions
  • MEDIA Programme of the European Union
  • BFI Films
  • The Government of Ireland
Jul 3, 2015
1 h 49 m
PG-13
Where Anything Goes and Everyone Belongs
Irish Film and Television Awards
• 2 Nominations
Turia Awards
• 1 Win & 1 Nomination
Political Film Society, USA
• 1 Win & 1 Nomination
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