Critic Reviews

The performances of the young actors who play them (actual twins, though not conjoined) are the real miracles here, each one creating a distinct personality.

There's plenty of tawdry glamour, exploitation and grime on offer in this tale of awakening, and through it all, the sisters' bond is its own abracadabra.

Side-stepping what could have been a cheap, morbid peek into the lives of two beautiful teenagers who were born joined at the hip, Indivisible strikes out on its own path, sounding an exhilarating note of freedom for its protags.

Indivisible peers and probes, offering a sensitive, insightful and sometimes even dream-like rumination on the cost of seeking and subverting normality.

Despite their lack of experience, the Fontana sisters do a lovely job of sketching an intimate yet at times claustrophobic bond.

Indivisible is above all else a mood piece humming with energy and marked by wondrous moments.

The Fontana sisters amazingly traverse this evolving landscape, alternating between warrior and crippled as the plot wears them down to nothing. We desperately crave they’ll earn a victory, but a release from the torture may have to suffice.

It’s always a shame when a promising film doesn’t quite stick the landing, but Indivisible is still undeniably a striking bit of work.

Edoardo de Angelis's coming-of-age portrait is poignant when fixated on the intricacies of a complicated sisterhood.

While the script has a problem sharing why it was excited to place conjoined twins in such a predicament, the Fontana sisters boast a special emotional eloquence.