David James

Clinically rigorous and hugely entertaining, The Man from Mo’Wax is a forthright examination of failure and disappointment. There’s not many music documentaries that can touch it.

Psychonauts, the Forgotten Children is bizarre, imaginative and beautiful, but it's also crying out for a stronger narrative.

It’s always a shame when a promising film doesn’t quite stick the landing, but Indivisible is still undeniably a striking bit of work.

Lean and mean, The Survivalist a realistically miserable apocalypse - and all the more terrifying for it.

Audiences unfamiliar with Herzog will be largely baffled by this eccentric and meandering eco-drama, but aficionados will find much to enjoy here.

The situation at the heart of Mine - what to do if you're stuck standing on a live landmine - is fascinating to imagine. But sadly, the film eventually devolves into cliched flashbacks and quickly loses momentum.

The Discovery has a fantastic premise but lacks the ambition. imagination or intellect to explore it satisfyingly. Instead, we're left with a gloomy, thinly written emotional drama.

The Levelling is a wonderful first feature from Hope Dickson Leach. Morose beyond measure, but leavened with subtle hope via Ellie Kendrick's superb central performance.

Brimstone is undeniably idiosyncratic, but it’s also an unpleasant, dull and indigestible film.

Heche and Oh are both outright brilliant.