Hangar 10

Overall this is dull, derivative, murky stuff, full of running and shouting but never really going anywhere.

It's easy to see how Daniel Simpson's desire to return the found-footage genre to its roots resulted in cheap imitation.

Saving most of its special-effects pennies until the final five minutes, Hangar 10 struggles to build a science-fiction movie from little more than a ghost of an idea and an infamous location.

Misses nary a single cliché in its visually disorienting and narratively confusing proceedings.

Found-footage horror flicks laboriously source the provenance of every shot, letting us know which camera each image comes from, but they demand that we never wonder who has edited those images together — and to what purpose.