
Critic Reviews
68
Metascore
Generally Favorable
positive
16(67%)
mixed
8(33%)
negative
0(0%)
Showing 24 Critic Reviews
100
Warren Beatty's production of Dick Tracy approaches the material with the same fetishistic glee I felt when I was reading the strip.
90
A spectacular movie whose technical achievements - notably the sharp editing - will surely provide a gauge by which subsequent comic strip films are judged.
90
A hard-core Tracy fan, Beatty was committed to making his film more of an homage to the comic strip than a singular adaptation. He didn’t go for the dark and gritty; he wanted something that looked like what it was, and Beatty’s desire to do just that turned Dick Tracy into one of modern cinema’s best adaptations of the two-dimensional storytelling form.
88
Dick Tracy is light on its feet where Batman clomped and wheezed, and it's fantastic -- that's the word -- where Batman was merely well designed. [15 Jun 1990, p.G5]
88
Even though Batman's Tim Burton is a better filmmaker than Beatty will ever be, Dick Tracy is the movie - of all screen attempts - that most convinces me I'm watching a live-action cartoon. [14 Jun 1990]
83
Dick Tracy has pop-art elements, imaginatively conceived montages, and a riff on crime-as-business that’s as pointed as the Godfather movies, if more family-friendly.
80
Dick Tracy has just about everything required of an extravaganza: a smashing cast, some great Stephen Sondheim songs, all of the technical wizardry that money can buy (plus the knowledge of how and when to use it), and a screenplay (credited to Jim Cash and Jack Epps Jr.) that observes the fine line separating true comedy from lesser camp.
80
Dick Tracy is a class act: simple, stylish, sophisticated, sweet.
80
Dick Tracy succeeded in translating a classic comic almost perfectly to the screen. Some people may be turned off with Madonna being in the film, but if you can look past that, you'd find one of the best comic-to-film adaptations ever.
80
Dick Tracy is brash, irresistible fun. Warren Beatty's vision of a comic strip on film comes in paint box-bright colors with nicely irreverent dialogue, a gaggle of crisp performances and one with million-dollar moxie. [10 Jun 1990, p.3]