
User Reviews
6.7
User score
Generally Favorable
positive
25(58%)
mixed
14(33%)
negative
4(9%)
Showing 8 User Reviews
Nov 28, 2021
5
This is undoubtedly a spooky and mildly sinister film, although it didn't really ourtright scare me but its certainly got a bit of an edge to it. The plot is slow and a bit low on the ground, so to speak. Its quite disorientating at times, with video footage thats distorted and continous long screams recorded. It just didn't quite equate to a great deal. I could understand the main characters discomfort in being involved with the production of a horror film (although the director/staff disagree on categorising the film their working on as such). The way that certain sound effects are created does seem perhaps a little distasteful at times, although there's nothing genuinely gorey shown. This is very much a visual film, in as much as there is some imagery which somewhat stands out but overall it seemed to me to be nothing more than an overly quirky, very arty type of a film, which I don't think necessarily said a great to me as such and so I wouldn't specifically recommend it as such, no.
Sep 9, 2015
6
British filmmaker Peter Strickland is a peculiar figure in the contemporary arthouse cinema sphere, his debut KATALIN VARGE (2009) is a Romanian revenge thriller infused with an unearthly trait both in its visual and aural experiments. Now, a double-bill of his consequent two features, both confined in isolated surroundings, introduce an esoteric profession, and furthermore probe the extremity of his unique cinematic language. keep reading my review on my blog, please google: cinema omnivore, thanks!
Jan 26, 2015
5
A film about film is something arthouse likes to endeavour in, sometimes with success, sometimes not; and Berberian Sound Studio borrows from the greats (Inland Empire in particular). The idea is good, delving into the technical aspects and "behind-the-scenes" of a production, with gripping performances by the cast - however, it doesn't take off, due probably to the lack of a more structured plot. Don't get me wrong, I know these movies aren't supposed to have plot, but normally they make up for it with symbolism, or cinematography, or sense of awkwardness, or what have you. Toby Jones's descent into a state of morbid attraction towards the film he's helping to produce doesn't feel at all gradual or symbolic, but rather curt and uncalled for. The cinematography is good, the score is better, and there certainly is a sense of awkwardness throughout. It just doesn't play well with the story. In conclusion, Berberian Sound Studio goes in the right direction but at a wrong pace, or for the wrong reasons if you will. It's still interesting to watch.
Jan 28, 2014
9
I loved this film. The visuals are very striking and the editing is phenomenal. Toby Jones is pretty great in this 'fish out of water' story which is really not a horror film, but more like a black comedy which is concerned with the process of making a film.
Oct 31, 2013
0
Do not waste your time or especially do not spend your hard earned money buying or renting this film. I warn you. The only other time I was as disappointed by a "horror" movie was when I saw Puppet Master Versus Demonic Toys. All this movie is is a timid guy doing his job making scary sounds for horror films. Oh my God that's scary right? No it really really isn't. I was expecting to see at least one murder or attempt at murder or at least one drop of blood for that matter. So annoyed that I actually watched this whole film. I was fooled by the ratings others gave it and I have a feeling so will many others 0/10
Aug 6, 2013
9
This is a film all about atmosphere, not narrative (though the two are intrinsically linked, pushing each other forward). Toby Jones is flawless, and the "ufo scene" is particularly amazing.
Jun 21, 2013
5
I was drawn by the positive reviews of this film and justified my choice to watch it having seen Peter Strickland’s debut feature Katalin Varga, which was defined by its vivid direction and use of a powerful score as contributing character to the film. Regrettably this was a lot less lucid and much more convoluted, confusing and even disturbing at times. The soundtrack on a league of its own and deserving all the possible awards in this category, but unfortunately, apart from the technical merits there is little else to write home about.