Critic Reviews

The comedy unfolds mostly in real time, but its grasp of real human behavior is shaky.

Aside from the ponderously contrived narrative, however, which mines a long list of supposedly relatable female insecurities and neuroses, much of the characterization relies on one-dimensional stereotyping.

Billed as a comedy but nothing more than a shallow and exasperating portrait of female self-loathing, Dean Pollack's Audrey puts its protagonist through hell -- and its audience along with her.