Are We Good?

It’s an introspective portrait of how grief forces Maron, who spent a career metabolizing his feelings into cantankerous jokes, to finally confront his emotions.

Are We Good? isn’t just an enthralling look at pain, loss, and how we handle unexpected grief; it’s also a reminder that life is always full of surprises — both good and bad — and that unexpected journey will certainly have you asking "WTF?" throughout.

By the end, Are We Good? transcends its conventional biographical trappings to land somewhere soulful. Dragging us through the wreckage of grief and out the other side, it suggests that Maron’s legacy isn’t merely acerbic stand-up or podcast milestones, but the more complex work of becoming human in public.

It’s a tricky balancing act that Feinartz depicts with candor, grace and patience, never letting the film’s provocative pathos turn overly grim or sentimental.

In fairness, Maron doesn’t provide Feinartz with the raw material to make the kind of movie it seems he wanted to make. We get the feeling that, over the course of participating in the project, Maron realized that he and the filmmaker were not an ideal match.

Part of the accomplishment of Feinartz’s film, which at times comes across as too deferential, is that it fitfully succeeds in cracking his shell.