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Apartment 7A

Critic Reviews

49
Metascore
Mixed or Average
positive
5(26%)
mixed
11(58%)
negative
3(16%)
Showing 19 Critic Reviews
Oct 15, 2024
75
LarsenOnFilm
I imagine Rosemary’s Baby purists will be upset with the various references and connections Apartment 7A makes to the first film, a few of which are clumsy, but nothing was egregious enough to trip me up—including the final sequence, once again involving dance, which I found to be rather brilliant.
Sep 25, 2024
70
IGN
Although Apartment 7A's chills are mild, this decades-late Rosemary’s Baby prequel gets by on atmosphere and strong performances.
Sep 20, 2024
67
The Playlist
Were it not for the concrete that is Julia Garner’s take on the lead, “Apartment 7A” could unquestionably spiral into indistinguishable obscurity, but even amidst cliché after cliché, it still manages to fulfill minimum requirements within the pantheon that is Horror 101.
Sep 20, 2024
67
IndieWire
There’s nothing especially mold-breaking here, though an ending moment elicits a gasp even as Apartment 7A ends with a cruel shrug — and perhaps the best thing I can say about that is that now I immediately want to rewatch Rosemary’s Baby. Plus, Garner gives a captivatingly distressed performance as a woman being attacked from all sides, where the only way out is through a window.
Sep 20, 2024
63
RogerEbert.com
Apartment 7A seems afraid to stray too far from Mommy, justifying its existence through the sheer power of the great Julia Garner’s skill level, but leaving little else to recommend it.
Sep 20, 2024
60
Variety
The movie is largely entertaining, despite being pulled constantly in two directions: as a predecessor to an iconic work and as a distinct beast, with its own gripes against patriarchal norms.
Sep 20, 2024
60
Total Film
A credible, if slightly limited, prequel that recaptures the atmosphere if not the originality of Rosemary’s Baby.
Sep 20, 2024
60
The Hollywood Reporter
It’s not so much a prequel as it is a parallel story that continues underscoring the limited autonomy of women. Restrictive social mores trap both Rosemary and Terry, albeit in different ways.
Sep 27, 2024
60
Wall Street Journal
There are reasons to watch, principally Dianne Wiest’s outrageous Ruth Gordon impersonation and the presence of the gifted Julia Garner.
Sep 27, 2024
58
The A.V. Club
Musings on motherhood, performance, and power are never fully articulated, leaving a flurry of concepts up in the air without resolve.
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