I think Welcome to Elk is one of those games where the less you know about it going in, the better. That might seem an odd thing to write after a few hundred words trying to describe it, but it’s also so unique and unusual that whatever expectations you might have, they’re almost certainly not going to prepare you for what’s inside. And in a game so fundamentally about stories—not just telling stories that would otherwise risk being forgotten, but exploring the way stories are told and the lives they take on in the process—that willingness to reject expectations goes a long way.

The game’s biggest draw is the fact that it is based on true events. The developers changed the names of some places and people but all the stories you get to experience – some funny, some sad, others dramatic, or scary – really happened to someone. [12/2020, p.54]

Welcome to Elk is an important game in that it makes the unimportant worthy of remembering, giving them the same gravitas any celebrity automatically receives. We tell the bad stories because we’re left holding baggage of an unknown weight, but we need to tell the good stories as well — to shine a light against the otherwise dark moments that seemingly act as traumatic bookmarks in life.