William Bibbiani

A big, sprawling romantic comedy with large emotions and messy characters and shoutouts to your favorite love stories. The enthusiasm comes across, and it’s infectious even when the movie doesn’t quite work. Which is most of the time.

Toy Story 5' is an easy movie to like. It’s just too redundant to completely respect.

Some cheap, stupid comedies are funny enough to get away with it, and Stop! That! Train! isn’t one of them.

[Michael Sarnoski's] latest isn’t deep enough or captivating enough to make the same impact as his previous movies, but it’s a mature work that makes a valid point, and Hugh Jackman gives an excellent lead performance.

The Furious hits like a sledgehammer — frequently with a sledgehammer — and it leaves a refreshing aftertaste.

It’s so bombastic and enjoyable that it’s easy to forgive that the story doesn’t work. I won’t forget that the story doesn’t work, but it has my forgiveness.

A funny and frightening, heartwarming and heartbreaking, confrontational masterwork that explores our shared experience of the present, and reveals what a morbid mistake it is to expect the frivolity of the past to heal our current pains.

Critics aren’t in on the joke, we are the joke. A bad review for Scary Movie is like giving it five stars.

Travis Knight’s Masters of the Universe is so blah, and so embarrassed of itself, that it could very well be the final nail in the coffin for 1980s nostalgia.

If this movie was nothing but a sightseeing tour of disquieting office buildings Parsons probably could have gotten away with it. But the more 'Backrooms' tries to have a point, the more pointless it feels.