Tatiana Hullender

Yes, Charlie Heller (a brilliant Rami Malek) spends an appropriate amount of time dreaming up memories of his beautiful wife Sarah (an underutilized Rachel Brosnahan), but the screenplay by Ken Nolan and Gary Spinelli offers plenty more than the usual setup of a man hulking out over a woman's death.

The movie's atmospheric approach to horror sometimes works against it, but stellar performances from Dan Stevens and Schafer ultimately make it a home run.

Blanchett knows exactly what movie she's in, and she seems to be having the time of her life fitting herself into the mold of a video game heroine.

MaXXXine may have taken a little longer to hit theaters, but fans of horror can be assured that it is well worth the wait. The best part is that newcomers can enjoy it as a standalone, but watching X and Pearl beforehand exponentially enhances the experience, creating a nearly perfect sequel.

Though some may long for a meatier, more dialogue-heavy script, most viewers will appreciate the sumptuous meal offered by Miller's impressive visual storytelling and Taylor-Joy's powerful screen presence.

Civil War confronts viewers with the brutality of war and the necessity of objective journalism, but the moments of quiet humanity are its strength.

The biggest drawback of Migration is that it doesn't play to its strengths as often as it should.

Trolls Band Together never lets the family adventure color outside the lines.

The strength of The Persian Version lies in the impressions and feelings that it leaves behind, and the empowering portrait it paints of three generations of Iranian women.

Desperation Road glimmers with moments of beautiful clarity, but the big picture it paints doesn't live up to the promise of its individual strokes.