Stephen Holland

Dance First won’t strike a chord with everyone, but it's also not intended for mainstream appeal, and those who connect with it will do so deeply.

It’s a deeply symbolic and, at times, flawed film, but Tuesday is filled with love, heartache, and pain.

East Bay is the type of movie to be loved and cherished by introspective soul-searchers who maintain their optimism in the face of the soul-crushing nature of modernity.

Ezra is heartwarming and funny, but it just never quite manages to reach the level of profound insight that its story seems to strive for.

While Longing was aiming for poignancy, it unfortunately landed on preposterous.

With unnerving tension, this slow-burning horror gradually unveils its alarming context.

For those willing to dig deep, there is a lot to be gained from Sasquatch Sunset about what it means to be alive, our connection to nature, and the enduring power of family and resilience.

With lots of tongue-in-cheek humor, first-time director Ives has delivered a movie that knows it’s a little bit ridiculous but just runs with it.

While Hurley’s skill as a filmmaker was in question for the majority of the movie’s runtime, there are around 10 minutes near the end that hint that, with some work, he could hone his skills further.

At its core, Cabrini is a feminist story whose bloated 140-minute runtime slightly overstays its welcome, but also packs an emotional punch for those willing to accept its message.