Debopriyaa Dutta

Moon Manor is an absolute triumph, one which celebrates life and embraces death while touching upon the bittersweetness of everything that occurs in between.

Unbearably tense at times, Ultrasound executes its high-brow sci-fi concept with ease, while some unanswered threads can make it a frustrating watch.

The Changed is a poorly-executed alien invasion riff-off, bereft of any sci-fi elements worth delving into or relatable characters worth rooting for.

Equal parts hilarious and heartwarming, My Best Part is a sweet exploration of the absurdities of life and a celebration of what's worth living for.

Combining the delightful and the absurd, Strawberry Mansion is a sweet triumph, an ode to imagination, and a manifesto on the wonders of love.

Despite featuring tense chase and gore sequences that are fairly well-made, Texas Chainsaw Massacre butchers Leatherface's legacy in the dullest of ways.

The only glaring flaw in Alone With You is its rushed final moments and ending, but it is not discordant enough to mar the genuinely uncomfortable scares and taut suspense it generates throughout.

Weaving an unsavory tale about isolation, bullying, and familial dysfunction, Slapface looms like an uncomfortable truth that is too desolate in tone.

There is nothing remarkable or special about Blacklight — it's fairly empty, a boilerplate series of dialogue, action, dialogue. However, it is fun to witness Neeson do what he does so well and lose oneself in the thrilling familiarity of hand-to-hand combat and shootouts.

The lull of Memoria would be non-existent without Swinton’s breathtaking presence, as she grounds and elevates the elusive drama with incredible nuance.