David Opie

Star City is cold and claustrophobic where For All Mankind is caring and cheerful, which makes for a gripping inversion of Apple's sci-fi drama — inspiring awe of a very different kind.

More than just a spiritual successor to Stranger Things, The Boroughs is an original sci-fi that succeeds on its own terms, even if it does need to iron out a few wrinkles, figuratively speaking.

Season 2 of this undeniably enjoyable Jilly Cooper adaptation comes with more heart, this time around — yet other organs still abound in TV's silliest, most decadent bonkbuster. 

Legends is tightly wound from the get-go, a true-crime drama that sets itself apart through its top-tier cast and thrills rooted in the grimy greys of drug-ravaged Britain. 

While both seasons of Beef revolve around a different dispute, we can probably all agree that Season 2 is an amusing but unfortunate step down in quality.

The Madison should be coursing with emotion, almost overwhelming in its strength and impact. Instead, the writing is just stagnant, awkward and predictable as it tries to wring out more emotion.

JD and Turk are still hanging out like old times when they can, and it's surprisingly nice for us to be hanging out with them again after so long too.

Just when you worry this madcap mystery might lose its way, the three standout leads pull you back in as they joke and bicker their way through Lisa McGee's unhinged follow-up to Derry Girls.

Expanding on earlier themes from Nip/Tuck, Murphy’s repellent comic-book adaptation is an absolute riot yet lacks the substance of a recent horror film that goes by the exact same name. 

Dial in for an unexpected treat in this lesser-seen Agatha Christie story, which comes to life every time Mia McKenna-Bruce appears to share her observations and a wry quip.