Bill Bria

The Tony of the film is an Everyman, someone who is as charming, toxic, feeble, and ripe with potential for redemption and/or greatness as you or I. In that way, "Tony" really cooks.

Even though Her Private Hell doesn't connect as hard as some of Refn's prior films, it has a richness which befits the last decade of his work, both in "The Neon Demon" and his streaming series. To be sure, the man's asking a lot of audiences, and seems to be willfully embracing polarizing opinions. Yet he isn't antagonizing so much as challenging.

Is the film a mostly accurate version of the cartoon, jokey tone intact? Sure, but it also needs to tell a story, and at that, "Masters of the Universe" is powerless.

The film, like fashion, like life itself, could be seen as just something pretty. Yet to those who take Riley's invite to go beyond the surface, it can reveal much more. To quote Shakira: underneath your clothes, there's an endless story.

It's easily one of the biggest surprises of this year. While it doesn't yet settle the debate about where video game movies will go from here, it proves the subgenre is evolving. Video game movies, especially "Mortal Kombat" movies, don't have to be radical reinventions, nor do they need to be relegated to fan service slop. They can be more.

Mother Mary is an emotionally distant, confounding, and ultimately unsatisfying work of art. Though its visual ambition and lead performances are commendable, it never gives enough of itself to let the rest of us in.

The Drama is a cinematic Trojan horse: it's a breezy farce that feels uncomfortably ominous, and it's also a star-studded romance movie which could set off a discourse bomb.

Although much of the pleasures of They Will Kill You come with the caveat that the movie doesn't quite lead anywhere memorable, one aspect that is fully fantastic and very memorable is Zazie Beetz.

How to Make a Killing is a movie that sneaks up on you, and like Becket himself, doesn't simply stab you in the chest or punch you in the gut. Instead, it slowly poisons you, leaving you bewildered by the end as to how sick you and the country you live in has become.

Love it or hate it, believe it to be honest or self-indulgent, "The Moment" is a movie that refuses to pander, and for that, I appreciate it. We may never know who the real Charli XCX is, but unlike the fictional Charli, she seems to be putting herself out there on her own terms.