MjDenver

The film thrives on its twist‑heavy plotting, razor‑edged dialogue, and that signature undercurrent of subtle, cheeky humour. Every scene feels meticulously crafted — the pacing tight, the editing crisp, and the visual flair unmistakably Ritchie

Nobody 2 delivers on the fundamental elements you’d expect from the franchise: the action beats are tight, the visual style remains sleek, and the crunching sound design ensures the violence lands with impact. However, the film struggles under a completely transparent plot. Every beat feels mapped out long before it happens, stripping away any real tension. Compounding this issue is the antagonist, who feels like a considerable step down from the first entry.

Style over novelty. Nobody throws Odenkirk into the John Wick formula, and while the result is entertaining, it’s hard to ignore the feeling that you’re watching a carbon copy with a fresh coat of paint. The performances are fine, everyone delivers what the script asks of them without going too far out of their comfort zones. That said, technical execution carries a lot of the weight here

The work would benefit significantly from a clearer, more focused narrative direction. While it attempts to cover an impressive scope, the execution remains overly surface-level. Performances were good all round.

Visually, it is extremely well done. The writing is where it falls down. The soundtrack to this is absolutely amazing and matches well with the fight scenes.

A step back for the franchise; I wanted to like it, but it came across as a weird, contrived art project that didn't know what it wanted to be.

This had real potential, but it squandered every bit of it. The entire second half collapses into nonsense, and the characters become frustratingly dull. A shame for what it could have been.

Well-shot settings and performances by the actors. Unfortunately, the plot is pretty run-of-the-mill and a largely forgettable experience.

There was potential for a really good movie in here somewhere, but the execution just wasn’t there. The pacing felt completely off. It spent far too much time on unimportant moments and then rushed through the ending. Theo James’ accent also shifts from scene to scene, which becomes pretty immersion‑breaking.

Pretty solid overall, just nothing that really blew me away or felt new. Everything went about how you’d expect, except for one death that seemed weirdly handled. The ending didn’t hit very hard, but it wasn’t terrible either. Definitely not the best or worst I’ve seen.

I’ve never been much **** fan, yet he completely won me over in this. The emotional pull hits immediately, and the visuals are genuinely breathtaking from start to finish.

Honestly, it’s horrible. The monster design is great, but that’s about it. The CGI lighting never blends properly with the physical elements, so the whole movie ends up looking like a jarring visual mess. The story and script are straight-up garbage.

Some great ideas for the shooting of settings, it's just extremely unfortunate about how rough the digital quality is. The first half of the movie is certainly intriguing, but unfortunately, it breaks down pretty hard in the second part of the movie with the abruptness of the plot change.

Visually impressive, but the story is painfully bland and predictable, stretched far beyond what it needs to be. Sadly, it seems we’re headed for yet another installment in this copy/paste franchise.

Nails the pacing so well. The settings are breathtaking and shot perfectly. Cast performances are great across the board. Movie of the Year.

Extremely basic plot that adds nothing meaningful to the Spider‑Man story. Plays on very basic and cheap emotional tropes. The tempo of the fight scenes is well done. Visually it’s okay, though some CGI moments are pretty jarring.

A 3 hour long tech demo. The visuals are amazing, and that's where it ends for the positives. The plot holes, the terrible voice acting by certain characters, and the sheer amount of unnecessary filler turn this from spectacle into a task.

Visually spectacular, but even that isn't enough to detract from Worthington's emotionless performance. The plot lingers with so much fluff that wasn't left on the cutting room floor because it was so expensive to make.

This film took a considerable number of creative chances, which could have resulted in a less favorable reception. It is both amusing and remarkably self-aware.

The plot is pretty dead, but let's be honest, we're here for the action. The fight scenes hit just as hard and look just as good as the rest of the John Wick movies.

Too much runtime for too little plot. Franco and Williams sounded great on paper, but had absolutely zero chemistry.

Predictable but still entertaining in the most part. Alot of fluff and filler for a short movie aswell.

While the promotional material is deceptively strong, the narrative pacing stalls out in the second act. Burdened by logical leaps and a poorly explained mythos, the film fails to inspire or engage.

Statham does a solid job in this Bourne copycat. In terms of entertainment, it's enjoyable but won't stay in the memory for long.

Bullet Train on a plane. It's fun, but don't look for much of a story here. Characters are throwaways at best, but that's not what I was expecting from this movie in the first place.

Navarrete puts in an amazing performance here. The use of silence, tonal shifts, and subtle key changes in the score takes the tension to another level. The ending felt a bit cheap and reminds you of the "then they woke up" sort of thing, but overall, it was an absolutely white-knuckle ride.

This film had me experiencing full‑blown time distortion, every minute felt stretched thin. I wasn’t expecting brilliance, but the result was still shockingly poor. The storytelling is clumsy, and the relentless wave of destruction shadowing this family pushes the whole thing into unintentional parody.

A bit of a slog, even for the short runtime. The scenery is gorgeous, and Jackson puts in a good performance, but that's where it ends for this movie.

Few chuckles throughout, but underwhelmingly safe. Plit was pretty straight forward and pacing was up and down.

One of the greatest comedies of all time. Hilarious at every turn. Will be rewatching this for many years to come.

Straight up, just a really dumb but hilarious movie. I still find myself using lines from this every so often.

Dull, predictable watch. It doesn't really bring much new to the table and has some pretty awful pacing. The cast does what they can with a script that is DOA.

Malkovich carried this movie hard, but even that wasn't enough to make it memorable past the credits. Some of the worst green screen I've seen this decade.

Great cast (which I'm guessing they paid through the teeth for), great little story with a twist at the end. Where this falls down is in the visuals, it is very jarring at parts.

Great animation and story with plenty of self-awareness as to what it is. Jon Hamm is cast exactly how you'd predict him to be cast. If that's a good thing or not is a matter of perspective.

The animation is top-class, and the audio is also well done. Voice acting can be a bit hit or miss, but overall it's pretty positive, but that's where the good ends. It's a really hollow shell of a movie limping towards the finish line. For a movie with a nice 1.5 hour runtime, it felt like a slog to get through.

I knew it was coming but it didn't make it any less sad. A tear jerker for anyone who has had a pet.

A genuinely strong film from start to finish. The twist caught me completely off guard and instantly shifts the entire dynamic of the story. The cast delivers great performances across the board, the locations along with the way they’re shot look absolutely stunning.

Despite flashes of classic Indy energy, the movie buckles under excessive CGI and a repetitive cycle of chase sequences that quickly wear thin. The story feels paper-thin, never giving the characters or stakes room to breathe. Mads Mikkelsen is the lone standout, elevating every scene he’s in, but even he can’t save this adventure from feeling hollow.

Hard to find much to knock about this movie. The twists and turns mixed in the the Charisma of Detective Blanc.

While it carries the Predator name, it deviates significantly from the franchise's usual DNA. I'm conflicted on whether that departure actually works, which is a sentiment that persists throughout the film. The CGI is a mixed bag impressive in spots but distracting in others. Ultimately, it's an entertaining ride, provided you go in expecting something different from the standard formula.

It's one of those films that tells you exactly what you're getting into in the first 15 minutes and executes it perfectly. It felt like Guy Ritchie took a holiday to Vegas.

It's a nostalgic trip back to simpler storytelling. At a crisp 90 minutes, it's the perfect low-effort way to kill an afternoon.

A really enjoyable movie for the first two acts; it runs out of steam toward the end of the third act, but overall, it doesn't do much wrong.

Still stands up two decades later. Ties up multiple plots nicely at the end with great performances by the cast.

One of the worst "movies" I've ever watched. It felt like AI slop, but somehow worse. It's not even on the level of so bad it's funny. It's so bad it's infuriating.

It's an amazingly well-shot film, absolutely beautiful and engaging. Pitt has a good performance, but I really couldn't care for any of the support characters—paper-thin and bland. For a movie that had pretty much unlimited access to the F1 paddock and its resources, to serve up this story was terrible and a waste.

A nice, slow burner. Some of the clichés used at the start of the movie did turn me off a little bit, but the two plots running in tandem in a coherent way was refreshing.

Runtime is the glaring issue with this movie, but overall it is fun. The creative direction of some of the action scenes was a nice touch to complement the no-pain aspect.

The whole movie just made me think, "But why?" More doesn't work than does work here, and a twist in the final act doesn't do enough to save it for me.