Critic Reviews

Every episode approaches sophisticated ideas while stuffing them into an astonishing psychedelic cartoon, so that “The Midnight Gospel” forces you to push beyond the distractions of its many moving parts and appreciate the substance at its core. The resulting trippy sci-fi adventure is a feast for the eyes and mind at once.

It is an ambitious, extraordinary, dreadful, beautiful thing.

Gospel's not for kids, but it reflects the ecstatic innovations that made Adventure Time such a trip. Ward directs every episode and finds moments of religious astonishment alongside gloopy horror, all of it served with chatty humanism and palpable sweetness. ... The result is a new kind of masterpiece: easy to like, easier to worship.

It is a little sentimental, but I am sure many viewers will be in tears watching the series.

It’s not everyone’s cup of tea, but The Midnight Gospel is fascinatingly strange, and if you listen to what is actually talked about, you may come away with some insight into the human condition.

It can be legitimately transcendent at times – Ward has so much creative energy that the frames burst with detail and Trussell is a great podcaster in terms of how much he truly engages with his subjects. It can also be damn overwhelming. I don’t recommend binging all eight because the onslaught of new age ideas and hyperactive visuals can be a bit much to take consecutively.

While there’s plenty of merit being preached in The Midnight Gospel, I don’t find the delivery method of its sermon particularly convincing, digestible, or enjoyable. But, hey, as someone who watched the show stone-cold sober, your religious mileage may vary.

The Midnight Gospel lets Ward go nuts without any network censors or content restrictions, and the team over at Titmouse absolutely runs with it. So while the combination of creative talent behind the scenes is a winner, this new series is likely only going to appeal to the Adult Swim crowd.