Critic Reviews

It's two moody-cop procedurals for the price of one, with deeply felt emotion in the performances. [7 Oct 2016, p.51]

Peyton List stars in this immediately riveting mix of police drama and time-bending fantasy.

Skillfully shot, with a slick concept and a strong cast, I was eager to see what happened next after viewing the premiere.

Frank and Raimy are co-authors of their own personal histories. How they write it together, or mess it up together, could make an intriguing cop procedural.

It’s hard to make an impression in a genre so heavily worked, especially with a series drawn from a moderately popular movie, but Frequency is in good hands and has promising ingredients.

The Dennis Quaid-Jim Caviezel movie has been reimagined as a story about a police detective (Peyton List, Blood & Oil) who's trying to save her long-dead father (Riley Smith, Nashville), and it packs the emotional punch of the original.

I do know that I like this opportunity for List as a TV star and tthe opening time-travel convolutions are treated to accentuate emotion and character relationships in a solid way. It has room to grow and room for improvement.

The show is no out-of-the-box winner, but it has possibilities to become an intriguing nighttime soap with sparks of electricity.

The producers and creator Jeremy Carver have deftly retrofitted a familiar film for the small screen with smart present-day touches and solid performances.

Frequency’s concept was mildly intriguing in theaters, and it’s mildly intriguing now, even with an extra layer or two of mushy TV-style goop on top of the story’s basic hokeyness. List and the other cast members give convincing enough performances.