User Reviews

[SPOILER ALERT: This review contains spoilers.]

A labyrinthian maze of intertwining and evolving screw-ups keep you guessing what else could possibly go wrong, but they do. The sibling rivalry between Jake Friedkin (Jude Law) and Vince Friedkin (Jason Bateman) keeps escalating and its an absorbing and fascinating train wreck to watch. You have a sneaking suspicion that things might turn out okay in the end, but these would be two of the most undeserving individuals of all time.

I think Black Rabbit isn’t getting nearly as much recognition as it deserves and I've found that the bad reviews it gets come from people who didn't even watch it. The series is superbly crafted; the production values are excellent, the direction confident, and the cast phenomenal. The pairing of Jude Law and Jason Bateman works perfectly and they are both perfect for their roles. Both being outstanding actors, their chemistry and tension carry the show, leaving you wanting more after every episode. The ending closes their arc beautifully and answers the lingering question about the depth of their relationship. The cinematography is gritty and grounded, and the soundtrack fits the tone perfectly; moody, atmospheric, and just right. The story is engaging, raw, and refreshingly focused on what truly matters: the narrative itself. In an age where so many U.S. productions feel weighed down by ideological preaching and formulaic agendas, Black Rabbit is mostly free of them and feels like a breath of fresh air. It’s a reminder of how good storytelling should be done, thoughtful, intense, and uncompromising. A show that earns every minute of your attention.

Honestly - I'm not sure why I gave this even a '3' rating? Perhaps there is some story in this convoluted mess? We typically like Jason Bateman but he's much better in 'light' movies than more serious (Ozark aside which degraded the last season or two)... This is the same Jason Bateman with long hair and a beard. He is meant to be the problem brother but we're never given any kind of back story that meshes. I think there is some backstory to both characters but it certainly isn't flushed out in the first 2 episodes which is I could stand. The flow of the show is a complete mess. The characters aren't 'baked' at all (half-baked would be an improvement). I just don't care about any of it. Beyond the tepid acting (Law and Bateman are complicit), I have to lay much of the blame on Bateman's directing. When the show is a complete mess the director has to take the blame. Basically we get a show with all style and no substance. Just a thin thread tying cliche' after cliche' together. ... bummer

I love Jason Bateman and crime shows and I cannot make it through episode 1. I’ve tried multiple times. I was looking forward to this so much. Now I’m back rewatching Ozark.

Started off very promising, but episode 2 features some of if not THE most illogical gambling in screen history. Durrrp imma double down with 15 cuz durrrrpity durp dooo. Yeah check please.

It’s intriguing but I’m not getting much brotherly vibe from the leads. Bateman is the more convincing of the two although Law tries hard to be the slightly more responsible older brother. The comedic moments just seem like more tragedy and you just want the trauma to be over.

I have always loved Jason Bateman, He's a great actor but Jude Law does a fantastic job in the series. It's gripping and I enjoyed every moment of it

Black rabbit is an absolute masterpiece that left me utterly captivated! I recommend it

First rate thriller. Starts slow and then takes off. Love scenes of New York. Con men. Grifters. Users. Fantastic acting by Jude Law and Jason Bateman. Laura Linney great job directing some of the episodes.

Jude Law plays a man enjoying the success of his hot NYC restaurant, when his ne’er-do-well brother (Jason Bateman) shows up to make a mess. This dark drama gives this duo an opportunity to impress with their performances: Law is continually compelling, while Bateman stretches in new directions that most often work (although it seems a bit forced for his natural personality). The writing is strong and the taut direction keeps things forceful, even though it could use a bit of tightening. The cinematography echoes the plot’s pressure by constantly squeezing the people into tight spots, while the score by Danny Bensi and Saunder Jurriaans is chocked with hard industrial accents. When it’s not trying to be intensely heavy or taking too long to finish almost every scene, the series can be a forceful tragedy. NOTE: Bateman directed the first 2 eps and his former “Ozark” co-star, Laura Linney, directed the 3rd and 4th.

Excelentes actuaciones. Impecable los dos hermanos.obra maestra en la actuaciones de los **** primera

It's an Amazing show And I will definitely be watching again. From the first episode, Ican already tell it's going to be fantastic

Jude Law and Jason Bateman as leads? What could go wrong? PLENTY. I wanted to love this show, but it was honestly all over the place. By the time I was done with episode 5, I wanted it be over; it was at least two episodes too long and I no longer cared how any of the character’s story concluded. So much potential gone awry.

[SPOILER ALERT: This review contains spoilers.]

"Black Rabbit" is a gripping saga of loyalty and self-destructiveness that’s elevated by riveting performances from Jason Bateman and Jude Law. It may get lost in its own unrelenting pace, but it manages to deliver a satisfying, albeit devastating, conclusion that feels frighteningly true to life. Jake, the charismatic owner of The Black Rabbit, a stylish New York restaurant and bar, moves effortlessly between the kitchen and the floor, greeting regulars by name and recalling their favorite drinks without hesitation. With short-term goals that include glowing reviews and a Michelin star, Jake’s bigger picture is clear: expansion. But when his troubled brother Vince returns home, trailing a storm of debt, trauma, and unresolved tension, Jake’s carefully curated world begins to unravel. Co-created by Zach Baylin (King Richard, The Order) and Kate Susman (The Order), Black Rabbit is a gripping Netflix limited series that stars Jude Law and Jason Bateman as the embattled brothers. They’re joined by a stellar supporting cast, including Abby Lee, Ṣọpẹ́ Dìrísù, Troy Kotsur, Chris Coy, and Cleopatra Coleman. The series also features a powerhouse lineup of directors: Jason Bateman, his Ozark co-star Laura Linney, Ben Semanoff (Yellowjackets), and Justin Kurzel (The Order). Each episode plunges deeper into the high-pressure world of New York nightlife, where ambition, loyalty, and survival constantly collide. Though the show is named after the nightclub, much like FX’s The Bear, Black Rabbit is less about the venue and more about the fractured, complex relationship between the brothers who run it. Fans of Ozark will feel echoes of that series’ tension and dark family dynamics, but with a twist. Bateman’s Vince is the antithesis of his Ozark persona. Where Marty Byrde was calculating and composed, Vince is chaotic and impulsive, often barreling headfirst into trouble. He’s clearly talented (mostly crookedly), but without discipline or direction. Jake, on the other hand, seems to embody control and drive. Yet as the series unfolds, it becomes clear that Jake may be just as deep in the hustle as his brother; he’s simply better at hiding it. Tension and humor are the twin engines of Black Rabbit, as familial bonds are strained to their limits. Bateman and Law are magnetic together, their chemistry pulsing through every scene, underscored by a dynamic score from Danny Bensi and Saunder Jurriaans (Smoke, Earnhardt, Tulsa King). Despite having multiple directors, the series maintains a tight, cohesive tone and visual style. Every episode moves with a propulsive energy—fast-paced, raw, and relentless. Even when the focus shifts to the ensemble cast, the storytelling never loses its urgency. The subplots are just as fierce, just as gritty, and just as essential. "Black Rabbit" is a taut, stylish descent into the chaos of nightlife, ambition, and fractured family ties. It’s equal parts character study and thriller, anchored by two powerhouse performances and a writing team unafraid to blur the lines between survival and self-destruction.

The series starts strong, setting up a murky world where family, business, and crime collide. It has all the ingredients **** thriller: tension, betrayal, and characters trapped in moral dilemmas. However, as it moves forward, it feels like the wrapping is more powerful than the story it’s actually telling.Jason Bateman and Jude Law carry much of the weight with intense performances, and visually the production is impeccable, with that prestige-drama look Netflix aims for. But beneath the polished surface, it often feels hollow, as if the story circles around without fully biting into its own potential.There are, of course, highlights — gripping moments and a finale that leaves its mark. The problem lies in the journey: some episodes drag on and dilute the initial **** the end, Black Rabbit stands as an attractive thriller with shiny packaging and solid acting, but one that doesn’t quite push its premise as far as it could. It’s entertaining, engaging in parts, but ultimately leaves you wishing for more.

Lazy writing… If, like me, you tried to watch this garbage because Jason Bateman and Jude Law are in it and because Bateman has delivered some truly great shows in the past, you’ll end up just as disappointed as I was. When you’ve got screenwriters who simply stitch together every cliché they can think of and hope it somehow forms a plot, and directors who seem content as long as the lead actors are occasionally centered in the frame, you end up with amateurish crap like this... completely unwatchable.