Jamplass

It’s a bit Nikita crosses Furiosa with A-Listers in a woke world in which the law enforcers are mostly black. but Anya Taylor-Joy carries this frantic drama well and she is a joy to watch because you have no idea what she’ll do next.

The acting and production are fine. but the story proceeds at such a slow pace I don’t think I have the patience. David Morrissey is great at mysteriously pondering…something. A few poignant and intriguing flashbacks would have helped to maintain attention.

AIDS, peeing on kids, **** infatuation. Where is the punchline? His only schtick these days is unrelatable shock value. I don’t care if he hasn’t evolved one bit from **** off in front of unsuspecting women, but be funny!

What a fun, frolicsome comedy/crime show with hilarious characters engaging in hilarious undertakings. It’s rare that you would come to like these people, but we do and can’t wait for what capers are coming around the corner.

Well-crafted and original and exciting comedic suspense drama, It’s too bad and borderline homophobic that the gays are the depraved baddies this time, otherwise my score might have been higher.

These used to be A-List actors. It’s all a bit too heavy handed and morose. Unfortunately Bardem isn’t a good fit for this role—he’s handsome but he just oozes evil, and not much nuance. The plot and script lacking any subtlety doesn’t help matters much.

I’ve only watched the first season but it’s a fascinating look into the past and the sorts of adventures that were possible. Jared Harris is great in every role, and this series builds with suspense.

It’s not easy to combine two genres, in this case horror and comedy. Rhys and Root are expertly cast here and if anyone can pull it off it’s them. Otherwise the premise is thin and rather of limited interest. But if the black sheriff isn’t prosecuted for killing Ruth in season 2 then I won’t be watching. OWLM!

The always watchable Colin Farrell might be the only actor who could pull this off. Even the cloying voice overs are forgiven, This is essentially a PI drama in the vein of 70’s Colombo with a dash of the Rockford Files. Not very original but it is so well executed you don’t care. And at least the token black woman has a british accent.

The Boys is finished, Daredevil is on hiatus, Penguin, seems so long ago. There hasn’t even been a recent Spider-man installment lately. So Noir is here to fill that gap. Nick Cage is the last major actor that you’d think of to play a super hero, but he did a fantastic Dracula so let’s keep the fantasy going, even though overacting seems to be the main assignment here.

I couldn’t get through the first episode and the black woman’s monologue. Not believable and bad acting. Doesn’t bode well not bode well for the rest of the series.

The first few episodes got me temporarily hooked, What IF the NASA space program continued and they established a base on the moon with female and black astronauts? But as intriguing as the show’s sci-fi aspects are, the drama devolves into soap opera territory and at a glacial pace. As a gay person I am all for coming out stories but this one is so yawnworthy. Why couldn’t they have made it more interesting?

At first I thought why should we care about some revisionist historical drama about the NASA space program, but this series and its stories keep getting better and better. I’m surprised that it’s not more well known.

This show is ALL over the place but with the A-Listers involved you gotta pay attention. Michelle Piper was born to play this role And then there’s Elle Fanning who is so adorable you just want her to be happy. All decent reasons to keep watching what might be my favorite new show of the year.

Frank Castle is an intriguing character. I haven’t watched the series but this seems a bit like just a lot of gratuitous violence in New York City. The Punisher had every right to defend himself and others and kill lots of antagonists in the process but what is the end game here?

Great story and well-acted. You find yourself routing for these plucky characters who are clearly in over their heads. Sure there are moments of platitudes and melodrama but all is forgiven because it’s all being done for a good cause.

This is basically Mobland lite. UK gang life without as. uchi gratuitous violence and more touchy -feely. The character of Michael is well played but no Tom Hardy. He looks rather gaunt and infertile. I hope this changes as the show progresses.

This is an absorbing and intriguing actual legal case. The performances are stellar. There are 3 plausible scenarios for what happened to Kathleen., and which one is true? It keeps you guessing. The addition of black characters (judges,etc) to replace the original white ones bespeaks of wokism, but it did not derail from the gravity of this production.

Baby Reindeer was so original and from the heart, it’s disappointing to see this show full of fear, bullying and toxic masculinity that even if there is a story in there, it’s just not worth telling. What is the relationship between these two people? All of it seems artificial and disgusting.

Season 1 was brilliant and hilarious , but the entire premise of S2 just seems weak, as does the whole “late stage capitalism” rationale. It’s hard to like any of the characters. And what’s worse there are no laughs.

A suspenseful drama with compelling characters. The story itself seems to already reveal the charismatic culprit, but it keeps turning into new directions to hold your interest.

It is very rare for a series to combine comedy and drama and do them both extremely well. Maybe the Ted Lasso fans were expecting something similar, but this show and its eclectic characters just keep getting better and better.

Perhaps I just have a hard time thinking homicide is funny. Kate Box is fine as the local sergeant, and she is the only one playing it straight. The rest of the cast are various shades of crazy, some, including Madeleine Sami, are so annoying you wished they were the DB, instead of the murder the mostly lesbian characters are obviously ill equipped to solve. The show is a train wreck off uncomedic proportions.

It’s all a bit Harry Potter-Ghostbusterish except it’s a world of ghosts and the industry employing children to detect and defeat them. All adults are vile and untrustworthy in this setting. If it were funny the show might have a chance but these kids take things very seriously, and most of time they are not alright.

This used to be a reliably solid series, even compared to all the other FBIs. Nowadays it’s either too predictably glitzy or illogical. If the incident happened at night why would the bodies and witnesses still be there in the morning? They are just getting **** LAZY and woke with the black kid saying “I killed the woman to save my sister”. This show has become so unrealistically woke it’s now disgusting.

Every episode has its own charming and hilarious anecdotes and all of the characters maintain their roles with perfection. The lead Anthony may be clueless at what’s really happening but he is absolutely the star of the show. “Porcupine” will never mean the same thing again.

I get it. They are trying to make a British version of the excellent Mo. However the premise that a virtual nobody could audition to be the next Bond? That, and the self-hating main character, the cringy/unfunny scenes with family, and over the top racism don’t add up to a show that the viewer is likely to invest much emotional energy.

The entire show is about severe trauma and the impact that has on the family. The characters take turns in how this trauma bubbles to the surface and affects their present day relationships. It’s all quite a depressing affair, although i think genuine— might have worked better as a movie with a clear story arch. Mark Ruffalo is excellent as always.

A cat and mouse kind of drama with criminals and police you’re supposed to sympathize with because they are forced into some difficult situations. Well after a while the criminals and corrupt police are just that and I’m not ready to watch something where all of the main characters are excessively flawed, unless it’s a parody of course.

It’s the GOT world without the compelling drama. Instead we have a winsome naive knight wannabe, who with his straight from Mandalorian Grogu/Egg companion have something to prove. It’s just enough fun to keep one watching.

It’s a bizarre storyline. I do wonder if David Harbour taking on this role was some sort of redemption for what transpired between him and Lily Allen. Nevertheless, by the 5th episode and the obligatory introduction of another person of color, I’m convinced this show doesn’t know what it wants to be or how to get there.

It’s all rather ridiculous, implausible (Martin Marvin?) and quite violent. It’s interesting that trashy people in Australia live and behave basically the same way as they do in the US. The main characters just aren’t appealing enough to stick with the show.

There is a lot of charisma between Peter and Rose, replaced by Isabel in season 3. It’s not as slick or uber violent as most detective series and maybe that’s why I like it. Ultimately there is a dark government conspiracy involved with enough realism to keep us watching.

I couldn’t get through the first 30 minutes of this—awkward and implausible. It’s OK to aim for over the top surrealism and irony but you also need gravity and suspense. This show doesn’t have either. An excruciating watch.

It’s hard to route for these money-grubbing charismatic miscreants, but something inside you doesn’t want to see them fail either. The marvelous all -encompassing dialogue is the thing that makes watching this series worthwhile.

The script is well written and it has high production value, but the money grubbing characters are so repellent it’s hard to feel anything for them except nausea.

Very entertaining. Sure there is violence and nudity but also an intriguing story, compelling characters and actors who are giving the performances of their career in sone cases (Graham McTavish for one).

This is not merely about gay hockey players. It’s about homophobia in professional sports and how love between two men will always be denigrated and **** production is excellent , the acting, the complex relations (yes including sex) have never been so realistically portrayed before in either film nor television.

The whole series seems a bit convoluted and an international slog. .What is the main character’s real name? What is his motivation? Who cares? Hollander also seems very diminutive in his role.

This show had so much potential. I love that it’s set in Oxford and the British English is so erudite and amusing, But the story is heavy-handed, the humor falls flat and none of the characters seem like they could actually be people in the real world.

Jason Beghe sounds like he’s losing a lung every time he speaks, but I’ve grown to care about a couple of the characters, which if they’re gone I may stop watching. The new ethnic characters and their circumstances seem contrived and just uninteresting. Now that FBI funds are freed up maybe they can develop more intrigue in other areas.

Not a terrible waste of time for viewers, but those looking for something close to the Americans or Homeland might be disappointed. Things become clearer in episode 4 and the story gets more exciting until it becomes implausible. It’s also a it of a stretch for Matthew Rhys to play this role IMHO. He’s just too nice! Uncle Rick’s age is closer to Niles—who cares they’re both bald! it’s not likely there will be a season 2 thankfully.

Being raised on a diet of **** Wolf’s adrenaline-filled Chicago PD and FBI, Blue Lights is a slow burn.. Thr police are all cowards and they might as well be criminals themselves for not doing their job properly. It’s hard to feel sympathy for this motley crew. The criminals should fear law enforcement, not the other way around.

This show is so mean spirited and dour. The US military is no picnic, but I doubt it is the degenerate brutal torture chamber depicted here. The gay men who choose to endure this are masochists. Their talents are better used elsewhere.

Keri Rusell is magic and the script is smart and witty. But the story gets bogged down in the relationship between the ambassador and Hal and there is no levity, as the subplots are equally dour and serious.

There is quite a bit to like about this show—generally good storytelling and acting, but it doesn’t deserve universal acclaim. The premise that there are so many dirty UK cops on the force and at the highest levels doesn’t seem believable. And all the obfuscation and long interrogations isn’t as entertaining as it could be.. It all just seems so dour.

It’s intriguing but I’m not getting much brotherly vibe from the leads. Bateman is the more convincing of the two although Law tries hard to be the slightly more responsible older brother. The comedic moments just seem like more tragedy and you just want the trauma to be over.

Heavy handed and entirely implausible. The character of Grace is fine. But she has to battle blatant racism and a nefarious cult in a remote island community all by herself while searching for a lost child. The music is constantly foreboding but there is little suspense. The odd introduction of Lady Heather just confuses things. She needs to return to the greener yet color blind pastures of Bridgerton.

The biggest complaint about the Boys from the Wokeflakes was that it was too white and too old. Gen V resolves those nasty faults with black leads and a mostly GenZ cast, who are both naive and self absorbed. It’s required viewing to get the whole story of the Boys. But RIP Chance Perdono. He wasn’t the reason I kept watching but what a waste. Wear a **** helmet and save a life.

Perhaps the biggest complaint about the Boys from Wokedom was that it was too white and too old. This spinoff resolves those nasty faults with black leads and mostly GenZers, who are comically naive and self-obsessed at the same time, lending to numerous humorous encounters. The show is actually required viewing as it fills in gaps of the Boys, which is still better, IMHO.