From the writing, to the cast, to impactful details like the spot-on styling and sets, Benched exudes confidence and commitment.

It's rare to come across a comedy that displays such admirable focus and delivers such smartly packaged slices of diverting escapism. More, please.

This may all seem assembled from a paint-by-numbers kit, but it clicks nicely, thanks to a lively group of supporting players who include Fred Melamed as a judge and Jolene Purdy as an intern.

It’s a breezy, amusing half hour with a lead character whose insecurities poke through her confident exterior.

Te pilot episode was written by Michaela Watkins ("Trophy Wife") and Damon Jones ("Peep Show"), who write to Ms. Coupe's comedic strengths while also peppering the background with amusing comic gags (viewers who pay closer attention will reap the most laughs from "Benched"). A second episode sent for review was less funny than the pilot and the plot was also a head-scratcher.

Aside from the occasional line that’s slightly bluer than what can be gotten away with on most network fare, there’s precious little here to distinguish the series.

Benched is nowhere near as funny as it thinks it is, mainly because Watkins and Jones seem to believe that the endless humiliations of a thin, attractive, previously well-compensated blond woman are all it takes to make people laugh.

The pilot showed promise which has yet to be fulfilled. The following episodes where a bit of a letdown. I like Eliza Coupe and the rest of the cast is likable, too. There is funny stuff in there but it's still not enough for calling it a good show. If the writing improves, it's good to go.

Good start. But many (too many) easy jokes.I think we quickly turn round with Benched. The team is endearing... and the dynamic which was installed was... not too bad