Critic Reviews
62
Metascore
Generally Favorable
positive
7(58%)
mixed
5(42%)
negative
0(0%)
Showing 12 Critic Reviews
80
The down-to-earth portrayals possess none of the stereotypes popular in media representations of prostitutes, and, as a result, are frighteningly realistic. A film with an interesting and provocative feminist edge.
80
Too distanced to be called compassionate - the term can imply condescension - Working Girls is provocative, honest and disturbing. [15 May 1987]
75
Working Girls is not a slick and dramatic movie. There are moments that seem forced and amateurish, and the over-all structure of the story is fairly predictable. What the movie does have, though, is the feeling of real life being observed accurately.
75
Director Lizzie Borden sticks to the business of trying to elicit natural performances from a cast that includes Off-off Broadway actors, actors with almost no credits and, among the men, some who are not actors at all. To a remarkable degree she has succeeded, particularly in the case of Louise Smith, who plays Molly. [13 Mar 1987, p.D]
70
Working Girls, well photographed by Judy Irola (Northern Lights) will keep you brooding about its issues for days afterward--something of a tribute to its air of unquestioned reality.
70
Working Girls, though a work of fiction, sounds as authentic as might a documentary about coal miners. The camera attends to the duties of the ''girls'' without apparent emotional response.
70
Working Girls has its shortcomings (the madam is too caricatured, the script occasionally reads like rehashed research), but the film, a fiction with the conviction of a documentary, fascinates and provokes. [06 Apr 1987, p.64]
60
Borden sugars her pill with clean, crisp, often witty recording of brothel action and shop-talk. All acting is credible and the camerawork is smooth, the non-action a bit on the long winded side.
50
While she demystifies prostitution, managing at times to make it seem as boring as it must often be, Borden (and cowriter Sandra Kay) make the characters almost too sympathetic.
50
Prostitution is hardly a new topic for film, of course, but Working Girls was directed by a woman, working with a largely female crew, and that is unusual. So is Borden's technique, which is almost anti-technique. It's the film's strength, and its weakness. [27 Mar 1987, p.D5]
