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SummaryPin-Jui (Hong-Chi Lee) is a free-spirited yet impoverished young Taiwanese factory worker, who makes the difficult decision to leave his homeland — and the woman he loves — behind in order to seek better opportunities in America. But years of monotonous work and an arranged marriage devoid of love or compassion leave an older Pin-Jui (Tzi Ma) a s... Read More

Directed By:Alan Yang

Written By:Alan Yang

Tigertail

Metascore
Generally Favorable
65
User score
Generally Favorable
7.4
My Score
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Metascore
Generally Favorable
65
58% Positive
11 Reviews
42% Mixed
8 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Apr 10, 2020
100
San Francisco Chronicle
Tigertail, mostly a period piece that’s also a well-wrought portrait of a man closed off from life whose despair is etched in every line on his face, isn’t satiric or comedic in the slightest.
Apr 10, 2020
80
Rolling Stone
It would be unfair to fully explain Tigertail‘s last act, though you may be able to figure out where this gentle, heartfelt tale is going to wind up. All you need to know, really, is that it ties everything you’ve seen together, the title takes on new meaning and the film exits on what is, for my money, one of the single greatest last shots in recent memory.
User score
Generally Favorable
7.4
64% Positive
9 Ratings
36% Mixed
5 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
May 9, 2024
7
DAL1960
I really liked this movie, but it left me asking more questions. Man leaves the woman he loves and his mother to go to another country to seek bigger opportunities. Got it… There’s a lot of jumping around in time periods, leaving several holes. Kid becomes old man, raises family, becomes estranged from his family. What happened? Why is so bitter? There needed to better character development. I liked the actors and although the pace of the movie was slow, it set the tone, which was sadness. The plot is similar to “Past Lives”, but that movie was better I thought. I thought director-writer, Alan Yang, wasted too much time, driving home the point how sad the man’s life became. He was ****. Show me how he got that way. He was young, energetic kid to turned into a sullen old man. Character development. To be honest, if I was studio exec, I would ask myself “How do I sell this movie to the public?” Although it maybe a cautionary tale, the viewer, like me, will be left sad and unsatisfied.
Apr 14, 2020
7
jupchurch97
Age old story of a man coming to terms with his legacy in life. This time filtered interestingly through the lens of a Chinese immigrant story. The transitions can come off as awkward and Tzi Ma's character can feel stilted at times. The ending scene also doesn't drive home the emotion and feels odd. Overall, it might make you tear up on occasion and is a worthwhile watch.
Apr 10, 2020
75
The Globe and Mail (Toronto)
Yang’s deeply personal, imaginative work is very much its own creation, just as much as "The Farewell." Or any other movie whose producers knew that audiences are hungry for diverse stories. That representation matters as much as story and style and performance. All of which, by the way, Tigertail has in spades.
Apr 13, 2020
70
Slashfilm
It’s a love letter, full of scribbles and crossed out words, and parts of which are more eloquent than others. And while Tigertail is a messy and somewhat incoherent love letter, it’s one filled to the brim with that a sincere love and emotion nonetheless.
Apr 10, 2020
60
The Guardian
A sombre, well-acted film about sacrifice and regret.
Apr 10, 2020
50
Boston Globe
It’s tempting to see Tigertail in the tradition of the Ingmar Bergman classic “Wild Strawberries,” with its emotionally constipated hero looking back over a lifetime of mistakes and missed connections. But the comparison only highlights Yang’s weaknesses as a first-time feature director: flat dialogue that mistakes subtext for text, glacially paced scenes that lack dramatic momentum, stolidly unimaginative camerawork, and a central character so unsympathetic that you end up siding with his ex-wife and daughter.
Apr 10, 2020
40
The Hollywood Reporter
Its structure is so meager it's downright skeletal.
See All 19 Critic Reviews
May 16, 2021
6
JLuis_001
It was good. I mean I liked the story despite the narrative shortcomings, but it was also repetitive and to a certain degree kinda cliche. A lot of Asian films deals with the same themes this one does, and for that reason, despite the things it does well, can't help feeling too normalized, too safe and predictable. Average.
Jun 1, 2020
6
whoischarlotte
This is all about looking back on decisions through your life and how it impacts the present
See All 14 User Reviews
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  • Macro
  • Netflix
Apr 10, 2020
1 h 31 m
PG
Gold List
• 2 Wins & 2 Nominations
Leo Awards
• 1 Nomination
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