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SummaryFabienne (Catherine Deneuve) is an aging French movie star who, despite her momentary lapses in memory, remains a venerable force to be reckoned with. Upon the publication of her memoirs, her daughter Lumir (Juliette Binoche) returns to Paris from New York with her husband (Ethan Hawke) and their young daughter to commemorate its release. A sharp... Read More

The Truth

Metascore
Generally Favorable
76
User score
Generally Favorable
6.6
My Score
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Metascore
Generally Favorable
76
79% Positive
27 Reviews
21% Mixed
7 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 1, 2020
100
San Francisco Chronicle
Deneuve has fun with her best role in years.
Jul 3, 2020
88
RogerEbert.com
The Truth doesn’t have very much of a plot. What little there is serves as a clothesline for its two excellent leads to hang their performances out to dry.
Jul 2, 2020
80
The New York Times
The story gradually emerges through an accretion of details and personal dynamics, often in families that stand in for the larger world. Things happen quietly or offscreen. The drama is measured out in sips, in gazes, gestures, silences, off-handed humor and shocks of brutality.
Jul 3, 2020
75
ReelViews
The Truth is layered and offers a treat for those who savor acting on the highest level, but it is a step down from his best films and may hold its strongest appeal for those who label themselves cineastes and art house movie-lovers.
Jul 5, 2020
70
The New Yorker
Perhaps a filmmaker whose powers were less orderly, less morally driven to soothe and pacify, could have pushed Fabienne—and Deneuve—to tragic and stylistic extremes that would have rendered the film’s reconciliations as mighty as its conflicts. Instead, he offers half a film of magnificent fragments.
Mar 31, 2020
60
The Observer (UK)
The parallels drawn between Fabienne’s life and the stories she’s drawn to are a little on the nose. “What matters most is personality! Presence!” she declares, determined not to fade into obscurity. Deneuve’s luminous performance ensures she won’t.
Sep 7, 2019
50
The Film Stage
No matter how strong the performances or how assured the direction may be, The Truth can’t shake how, on a writing level, Kore-eda is out of his element.
See All 34 Critic Reviews
User score
Generally Favorable
6.6
63% Positive
10 Ratings
31% Mixed
5 Ratings
6% Negative
1 Rating
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 4, 2021
7
bertobellamy
Hirokazu Kore-eda makes his first film out of Japan, and it's just exactly what you would expect. The Japanese director translates very well his style to occidental storytelling; still, there are some plotlines and scenes built in a very oriental tradition, like those involving the girl and another contemplative one, in which one of the actresses goes upstairs during filming and waves almost religiously. 'The Truth' reminded me of 'Clouds of Sils Maria' in a lot of ways. Catherine Deneuve kind of takes Juliette Binoche's role in that film, in which a famous actress contemplates her life and career amidst the rise of a younger artist, who, in turn, is chosen to play one of the roles she was known for. The film may not be Kore-eda's best work, but it's nice to see the chemistry between all these great actors. Language, as you will see, was not a barrier for the Japanese director to manage this talent.
See All 16 User Reviews
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  • 3B Productions
  • Bun-Buku
  • MI Movies
  • France 3 Cinéma
  • Canal+
  • Ciné+
  • France Télévisions
  • Garidi Films
  • Cofinova 15
  • Indéfilms 7
  • Cinécap 2
  • Cinémage 13
  • La Région Île-de-France
  • Centre national du cinéma et de l'image animée (CNC)
  • Société des Producteurs de Cinéma et de Télévision (Procirep)
  • Le Pacte
  • Wild Bunch
  • Gaga
  • All Nippon Airways Co.
Jul 3, 2020
1 h 46 m
PG
Online Film Critics Society Awards
• 1 Win & 1 Nomination
Venice Film Festival
• 1 Nomination
San Sebastián International Film Festival
• 1 Nomination
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