The Strongest Man

The Strongest Man isn't flashy, moves to it's own unique rhythms, and glides along with a very specific sense of humor. But to the observant eye, and patient viewer who decides to hop along with the film's welcoming tone, they'll witness the voice of a filmmaker bursting with ideas and a number of ways to share them, even if he hasn't quite found his storytelling footing just yet.

Thinly amusing, The Strongest Man stretches a short’s worth of potentially funny ideas to feature length, where they slowly and surely lead nowhere in particular.

This is the kind of indie doodle of a movie in which several potentially interesting ideas co-exist but never quite come together and where supporters will call the narrative "freewheeling" while naysayers will insist on "rambling."

Although Beef and Conan are far from stereotypical, the quirkiness and eccentricities ascribed to them by writer-director Kenny Riches harp on their otherness all the same.