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The Gallerist

Critic Reviews

48
Metascore
Mixed or Average
positive
2(17%)
mixed
10(83%)
negative
0(0%)
Showing 12 Critic Reviews
Jan 28, 2026
70
New York Magazine (Vulture)
Like most art world satires (a generally cursed subgenre), The Gallerist doesn’t ultimately have all that much to say about the art world that hasn’t been said a million times before. But it’s also a blast, thanks to its energetically mannered performances and director Cathy Yan’s snappy pacing and flair for visual humor.
Jan 28, 2026
70
Screen Daily
Throughout, Portman, Ortega and Zeta-Jones bounce the script around like a ping-pong ball, with all three displaying meticulous timing.
Jan 28, 2026
60
TheWrap
Ultimately, The Gallerist gets by on its zippy pacing, committed performances, and a tinge of meanness that holds enough suspense.
Jan 26, 2026
50
The Daily Beast
An irredeemably obvious and one-note affair that says everything in its first 10 minutes and spends the remainder of its time vainly trying to drum up humor from a wan Weekend at Bernie’s-esque scenario.
Jan 28, 2026
50
The Hollywood Reporter
The Gallerist is not without its occasional charms. There’s a chuckle to be had here and there, bits of zinging dialogue that actually find the right notes. Enough so that one roots for the movie despite its many missteps. The problem, ultimately, is that Yan chose a poor subject for her film, an environment that is an incredibly hard target to nail.
Jan 28, 2026
50
Variety
The intermittently clever movie is full of art-world in-jokes, but seems oblivious to its many plot holes, which are more conspicuous than the slashes in one of Lucio Fontana’s “Spatial Concept” canvases.
Feb 10, 2026
50
The Film Stage
More Velvet Buzzsaw than The Square, The Gallerist suffers from piling on the references and refusing to give audiences a chance to breathe.
Jan 28, 2026
42
IndieWire
The Gallerist is one of those movies where the actors are having all the fun, clearly enamored with the chance at working together, while they forget to let the audience in on the entertainment.
Jan 28, 2026
42
The Playlist
Beyond some obvious pot shots and on-the-nose metaphors, it begins to feel more and more like a missed opportunity than smart satire.
Jan 28, 2026
40
The Guardian
What should be wickedly cutting in-the-know dialogue is soft and uninventive, what should be a seat-edge string of escalating circumstances becomes increasingly tiring and hard-to-buy and while the cast is game, they mostly struggle to find the right level for Yan’s admittedly difficult-to-match zany energy.
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