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SummaryAfter a fifteen-year absence, Christian (Paul Schneider) returns home to rural New South Wales for the marriage of his father, Henry (Geoffrey Rush), the wealthy owner of the local mill that's been the economic bedrock of the community for generations. Christian gets reacquainted with his old friend Oliver (Ewen Leslie) and finds himself drawn to... Read More

Directed By:Simon Stone

The Daughter

Metascore
Generally Favorable
62
User score
Generally Favorable
7.1
My Score
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Metascore
Generally Favorable
62
50% Positive
6 Reviews
42% Mixed
5 Reviews
8% Negative
1 Review
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Oct 25, 2015
83
The Playlist
A highly polished film that belies the soap opera melodrama of its plotline by having the twists and turns spring directly from well-observed human behavior, Stone's The Daughter is a quiet, immensely affecting triumph.
Oct 25, 2015
80
Variety
Deeply involving and emotionally searing, The Daughter reps a confident and profoundly moving bigscreen debut for established theater director Simon Stone.
Oct 25, 2015
70
Screen Daily
What The Daughter lacks in narrative surprises, however, it works hard to make up for in its confident approach.
Feb 3, 2017
60
Arizona Republic
While the acting draws us into the story; it plays like a daytime soap opera with really good actors and Australian accents.
Feb 3, 2017
58
Christian Science Monitor
As any kind of introduction to Ibsen, this film is more a turnoff than a turn-on.
Jan 26, 2017
50
The New York Times
The characters don’t have conversations so much as helpfully recite their back stories, and the long-buried secret is soon so obvious that the movie’s last-act hysteria feels forced and a little ridiculous.
Jan 23, 2017
38
Slant Magazine
It too often strains for a tragic gravity that its ultimately melodramatic characters never earn.
See All 12 Critic Reviews
User score
Generally Favorable
7.1
75% Positive
9 Ratings
25% Mixed
3 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Feb 24, 2017
9
LeZee
When a secret long hidden makes its way out... A very surprising Aussie film. Not all the Australian film makes big at the world stage. So this film was not known to many people, but I am lucky to watch this. The film was based on the Norwegian play called 'The Wild Duck'. It was adapted several times for the screen, but this is the latest and a modernised version. The first film for the director and he was amazing in handling the screenplay as well. Obviously I did not know anything about the film. The cast looked good and also the storyline, so that's my reason to watch it. It began like a simple drama about a family who are going through a difficult time after the wood mill was shut down in their small town. Their's daughter, Hedvig, who is studying in the high school worries that she's going to lose her boyfriend if they move out of the town. That's not it, the narration had layers like from other people surrounding this small family and their perspective too has a big impact on the storytelling. Not just this family, but many from the town were out of the job and that leads to some unexpected decisions. Another family who ran that wood mill for nearly a century, welcomes their son, Christian from the United States who is having a tough time with his girlfriend and also to attend his father's wedding. He accidentally meets his childhood friend which is actually a Hedvig's father. They spend lots of time together and that's where a new issue arises. Christian reveals some hidden truth for the decades between their two families. Everything breaks loose and becomes impossible to fix it. From all this, the daughter is the one who directly get affected, but to learn how is why you should watch this film. You won't immediately understand the meaning of the title. The film very smartly progresses like bit by bit with lots of suspense around. The best part is, it never reveals the actual secret at any length of the film, but still the viewers going understand the situation very clearly. That's really amazing, particularly the writing being so clever. I don't know the original material which is more than a hundred year old, but I loved this to tell the story in a smart way. "You do not need to be scared of the truth." The characters were the best part of the story. The switching time was excellently done. Like the whole film is not intended to deal with one particular issue, but multiple. Everybody had something to deal with, some were personal and some were concerned for their whole family. The story always engaged with details, so there's no time for relaxation for the viewers. In the first half it succeeds to keep everything neat, despite the story developed from different angles. Because the end pulls them all together to conclude the tale on high. High mean, neither happy or sad, the timing when the twist takes place was a perfect setting. If you are a melodrama fan, this must not be missed. I haven't seen a good tearjerker for a long time and then I found this one unexpectedly. I did not know the film would turn this way, but that's one of the reasons why I liked it a lot. The twist at the final act was kind of predictable if you were focused enough in the early part, but nobody gets a clear picture of how it all ends. That's the point. Despite how the film characters react when the suspense was revealed, we have our own respond too, but unable to deliver where it requires. That is funny, but the film gets very serious towards the final segment and you get no time to react, you will be like unmoved till the end credits roll up. But sensing a tragedy is certain. I recently saw 'Fathers & Daughter', that I anticipated something what this film offered. The story lines are completely different from these two films, but that father and daughter relationship thing, I liked very much from this one. Especially the emotions are the most crucial to narrate the tale and this film was way better in that perspective. Comparison between these two titles only on the sentimental side, other than that it's not fair to bring a debate on them. Anyway, both are the fine melodrama. This film definitely would appeal strongly to the family audience and I highly recommend it to them. There's no strong nudity or the sex scenes, but thematically it goes some length to record the required event. Other than those couple of parts, this is a film for everybody. Very satisfied with the overall film. I might not consider it my favourite, but very close to be called one. Like I said the story was thoroughly written, so I'm feeling this film won't go unnoticed. I am not talking about it would find its audience, but the remakes. European, Korean, Bollywood, even a Hollywood version might come. So fingers crossed, but I suggest this one to watch if you are convinced with my review. 8.5/10
Nov 25, 2021
7
DawdlingPoet
This is a film very much about family secrets and how such things impact on others. There are various scenes with minimal dialogue and plenty of shots of characters pacing about, looking unsure and pensive. Geoffrey Rush and Sam Neill give decent performances but if your not keen on slow burners, i.e. slow paced family/domestic dramas, then this may not be for you. I noticed that in many scenes the lighting was relatively dark and I wondered if that was almost done on purpose, to portray a manifestation of the dark times and unsure footing the various people find themselves in. There's some reasonably good dialogue at times and its worth seeing but it isn't a film I'm likely to want to watch again. An intriguing and reasonably well made film with an element of atmosphere present, this is good but not quite great.
See All 12 User Reviews
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  • Screen New South Wales
  • Wildflower Films
Jan 27, 2017
1 h 36 m
Keep your family close and your secrets closer.
Film Critics Circle of Australia Awards
• 3 Wins & 10 Nominations
Australian Academy of Cinema and Television Arts (AACTA) Awards
• 3 Wins & 10 Nominations
Australian Film Critics Association Awards
• 3 Wins & 6 Nominations
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