Critic Reviews

The power of friendship is what keeps the heart of this film pumping fresh blood until the very end.

While The Boy Behind the Door runs out of steam a bit in the third act, it’s mostly a tight, well-paced thriller with terrific central performances from a couple of young actors with bright futures ahead of them—once they get out of here, that is.

It’s another effective use of a simple premise and modest means to create a nicely nerve-jangling thriller.

In the end this is a fundamentally genre-subservient film, staying within the safe lines that absolves it from getting close to the true horrors it hints at.

Charbonier and Powell, themselves childhood friends from Detroit, focus on the boys’ allegiance to each other with an unwavering focus. This intent minimalism is also why the movie does not transcend its virtuosic, almost abstractly taut storytelling.

The Boy Behind the Door is an underwritten movie and an underpopulated one, though missing people are less of a handicap to the narrative than missing information.