
Critic Reviews
76
Metascore
Generally Favorable
positive
14(67%)
mixed
7(33%)
negative
0(0%)
Showing 21 Critic Reviews
Mar 28, 2013
100
The movie’s a funny, dark, increasingly razor-sharp inquiry into the metaphysics of modern fame — how the dream of “being seen” and thus validated on some primal level can completely unhinge the average schmo.
Mar 10, 2013
91
The reality-show aesthetic pervades the movie as well. Garrone's roaming camera style draws you into each moment with extreme close-ups and long takes that wander through each scene and get lost in it. Luciano's plight is crushing because Garrone renders it with such detail.
Mar 12, 2013
90
Garrone's film grows in your head afterward, making royal hash out of a cultural paradigm we'll be loath to remember years from now—if, by then, everything hasn't become "reality."
Mar 14, 2013
90
Reality is a story about one man’s desire to make it big on the small screen, and something of a familiar exploration of the blurring between reality and its simulations. More elliptically and more interestingly, it is also a look at an Italy engrossed with rituals and spectacle, in watching and being watched.
Mar 21, 2013
90
Garrone achieves something uniquely colorful, disturbing and trenchant about self-perception in an increasingly fishbowl-like society.
Apr 25, 2013
88
The first-rate Italian comedy Reality — which fakes Pope Benedict appearing in St. Peter’s Square — likens consecration to elevating an “everyman” to pop celebrity.
Mar 13, 2013
83
His outrageous, self-destructive journey lands him in a place just as ironic as Rupert Pupkin’s in "The King Of Comedy," but it’s haunting and mysterious, too, reflecting the dream that consumes his life.
Mar 18, 2013
83
With a jaunty musical score by Alexandre Desplat and a pleasant visual style aided by Marco Onorato’s colorful cinematography, Garrone delivers a story that’s part fairy tale, part religious allegory and part scathing indictment.
Mar 22, 2013
83
Coming on the heels of the Taviani brothers’ quasi-documentary “Caesar Must Die,” about the staging of “Julius Caesar” in a maximum-security lockup, Reality gives credence to the notion that Italian prisons are hotbeds of acting talent.
Mar 15, 2013
80
The film belongs to Arena, outstanding as a man growing ever more delusional in his quest to acquire celebrity status.