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SummaryA disfigured violinist haunts the Paris Opera House.

Phantom of the Opera

Metascore
Generally Favorable
63
User score
Mixed or Average
5.7
My Score
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Metascore
Generally Favorable
63
29% Positive
2 Reviews
71% Mixed
5 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
80
Los Angeles Times
Arthur Lubin's elegant 1942 color version of the Gaston Leroux chiller remains one of the best, with a chilling yet poignant Claude Rains prowling a Paris Opera house, wreaking hideous revenge. [20 Oct 1996, p.4]
75
Boston Globe
The Phantom of the Opera was never a brilliant movie, but it remains great, ghoulish fun, with Chaney tiptoeing the line between sympathy and shudders.
User score
Mixed or Average
5.7
55% Positive
6 Ratings
27% Mixed
3 Ratings
18% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Dec 23, 2024
5
codyz
Watchable, but not very compelling, Lavish Technicolor production, Huge sets, fancy costumes, mammoth opera scenes, All money is up on screen, But Phantom is more of a tragic figure, He is shown before he goes psycho, Way too much of his back story, Needed more mystery about his character. The horror should've been amped up and the music sequences edited down, , Claude Rains gives a solid performance, as does girl who plays Christine,
Sep 26, 2023
4
royalguy07
This was dreadfully boring unfortunately, the underlying characters stories and motivations were not enough to support the weak tension and snails pace.
60
Variety
Phantom of the Opera is far more of a musical than a chiller, though this element is not to be altogether discounted, and holds novelty appeal.
60
TV Guide Magazine
Universal Studios' elaborate and expensive remake of their classic 1925 silent horror film The Phantom of the Opera boasts fabulous sets, gorgeous costumes, and stunning Technicolor photography--but fails in the horror department, because of an excess of music and low comedy.
60
The New York Times
To be sure, the production is elegant. Settings and costumes are superfine and, photographed in technicolor, they all mawe a lavish display. But that richness of décor and music is precisely what gets in the way of the tale.
50
Time Out
The accent is more on musical extravaganza than horror, with endless operatic snippets for Eddy and Foster to warble, making it all a somewhat tiresome waste of Rains' performance.
50
The New Yorker
Someone at Universal had the brainstorm of redoing the 1925 silent Lon Chaney horror picture and taking advantage of the fact that it was set in an opera house to make it not only a sound picture but a high-toned musical. The result is this flaccid, sedate version.
See All 7 Critic Reviews
Oct 30, 2023
2
valeriiege
Worldwide's third, second English adaptation. Captive Wild Woman was the boring movie in Universal Horror, but I am changing my mind; this movie, is hard to finish. Even worse, the process of the story changed.
See All 11 User Reviews
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  • Universal Pictures
Aug 27, 1943
1 h 32 m
TV-PG
In flaming Technicolor!
Academy Awards, USA
• 2 Wins & 4 Nominations
Academy of Science Fiction, Fantasy & Horror Films, USA
• 1 Win & 3 Nominations
Hugo Awards
• 1 Nomination
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