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SummaryPeggy Sue (Kathleen Turner) faints at a high school reunion. When she wakes up, she finds herself in her own past, just before she finished school.

Peggy Sue Got Married

Metascore
Generally Favorable
75
User score
Generally Favorable
7.4
My Score
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Metascore
Generally Favorable
75
80% Positive
12 Reviews
13% Mixed
2 Reviews
7% Negative
1 Review
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
100
Chicago Tribune
Droll, pungent, and superbly told, Peggy Sue Got Married is more than a return to form for Francis Coppola. It's a film that reveals a new depth, a new sensitivity and a new sureness of technique for the 47-year-old director, a film that marks Coppola's entry into a rich, mature period.
100
Washington Post
Not since the heyday of Frank Capra, perhaps, has there been a movie that so seamlessly combines screwball comedy with get-out-your-handkerchiefs heart. Peggy Sue Got Married isn't about solving life's problems, it's about accepting them, in a world where love doesn't conquer all, but conquers enough. And in the hands of director Francis Coppola, that message makes what could have been merely a delightful lark about time travel into something much more.
88
LarsenOnFilm
This is handsomely made (cinematographer Jordan Cronenweth lights the reunion as if it were already part of some magical realm), but what lingers about the movie are the quieter, actorly moments.
80
Time
Everything finally came together under the sensitive directorial hand of, yes, Francis Coppola. The supporting cast is splendid. The film's occasional lapses never puncture the airy tone; they are easily forgiven, like Peggy Sue and her friends, whose only sin was to grow up. This prom-night balloon of a movie floats easily above the year's other exercises in '50s nostalgia. If you dare reach for it, it will land smartly in your heart.
75
The Globe and Mail (Toronto)
Peggy Sue is by no means a masterpiece of movie art, but it is an example of the sort of thoroughly enjoyable middle-brow Hollywood picture - clever, thoughtful, literate - that went missing about the time Peggy Sue got married. [10 Oct 1986]
50
The New York Times
Most of the time, Peggy Sue Got Married is either underdeveloped or simply not thought through. The way the film gets Peggy Sue into and out of the past is no less lame than the explanation for Bobby Ewing's recent resurrection in "Dallas." So much key information is missing or left uncertified or undramatized that the film appears to have been edited by termites.
30
Chicago Reader
It's grave, lumbering, arrhythmic, and bloated, an emotional hogwallow of catchpenny insights and easy sentimentality...In short, a real bagful.
See All 15 Critic Reviews
User score
Generally Favorable
7.4
73% Positive
16 Ratings
27% Mixed
6 Ratings
0% Negative
0 Ratings
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Sep 8, 2017
9
Spangle
If given the chance to re-live your life and change who you become, would you take it? Many would, though Peggy Sue (Kathleen Turner) is not given a choice, rather thrust into this decision after fainting at her 25-year high school reunion. Waking up to realize she no longer has her children Scott and Beth, is still with high school boyfriend and soon to be ex-husband Charlie (Nicolas Cage), and is just five weeks away from graduating high school, Peggy Sue is given the chance to re-live her life. She can put that **** Delores (Lisa Jane Persky) in her place, rectify her main regret and sleep with hopeless Communist romantic Michael Fitzsimmons (Kevin J. O'Connor), help nerd Richard Norvik (Barry Miller) come up with new inventions before they come out by 1985, and help Charlie try to stay in music while breaking up with him at the same time, Peggy Sue takes every chance to change her life. Yet, by the end, she realizes that her life as it was - even with all of the bumps and the pain - was exactly what she wanted all along. Accepting these imperfections in our lives is perhaps the hardest part of growing up. Constantly **** by thoughts about what we could have changed, where we wish we were, and praying that we wake up to find our lives are different, people have coped with these what-if questions, likely, since the beginning of time. There is always something we could have changed, somebody we could have kissed, or something we could have done that, if it were done, would make us happier than we are right now. Yet, it is always a give and a take, which is what Peggy must learn. She is unhappy with Charlie and his philandering ways, but loves her children. Willing to give up anything to have her kids, the first thing she worries about when thrown back into the past is where her locket with their pictures went. No matter how tempting changing her life and avoiding the hurt that awaits her with Charlie is, there is no exception - not even with long-time regret Michael - that will make her want to give up her children or risk losing them as a result. Peggy Sue, nonetheless, is guilty of seemingly forgetting this aspect at times, however. She desperately wants her life to be different and to have never been with Charlie, but he luckily keeps coming back to her at the exact right moment. Seemingly never realizing that to lose Charlie means she will lose her children, Peggy Sue falls victim to what many do. So caught up in regret and what-ifs, she forgets what is right in front of her eyes. Though her life has seen hardship, it is only through this experience back in 1960 that she realizes that all of it was worth it in the end because it got her the two children she adores. No matter how much Charlie may hurt her, being with him begot the best thing to happen to her. Barreling ahead at a slow pace with an unclear plot, our lives may not always be fun or fulfilling, but we all have something or somebody that makes that exact moment worth being around for and not being stuck in the past wondering what could have been. In essence, it is the classic belief that the grass is always greener on the other side. If we had somebody else's life, then we would be happier. Yet, their life is not our own and wishing otherwise will only lead to us missing out on the opportunity to be happy with those who make us truly feel happy and fulfilled. In going back to her youth, Peggy Sue may initially be flustered, but quickly realizes that one of the most important things to alter is her relationships. Heaping praise upon her parents, enjoying the company of her grandparents, hanging out with her sister, and listening to each of them and what they have to say to her, Peggy Sue hits pause on the awkward and chaotic teenage years. Able to soak up every moment with her family that was available to her, but not appreciated due to the fact that she still had them all with her, Peggy Sue is finally able to enjoy the moments she once discounted. Using the years of her life to her advantage, she now knows that these moments are ones to savor, not disregard. In the process, she learns to re-love Charlie. Seeing him as a youthful wannabe pop star with a great voice and even better work ethic, Peggy Sue learns about the lengths that Charlie went to in order to make it, only for her to discount them entirely and constantly advocate for him to quit. By the time he does quit, she realizes it was all for her. His life goal was to be a singer and not work in his dad's appliance store. Yet, by 1985, he is just like his dad, as he runs the appliance store and chases skirts around the store all day. However, at the prospect of losing her, he drops everything in order to be her husband. Though it does not excuse his cheating on her in 1985, these moments in 1960 give her back the perspective she had lost. Now embittered by the relationship, she realizes that they not only had some "good times" together, but remembers why she loved him
Jun 19, 2017
9
LamontRaymond
Kathleen Turner is really amazing in this film. I know she was the second choice and only got the role when Debra Winger had to bow out, but it wouldn't have been nearly as successful without her. Sure, her romantic chemistry with Nick Cage wasn't ideal, but it still worked.
See All 22 User Reviews
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  • Tri-Star Pictures
  • Rastar Pictures
  • Zoetrope Studios
  • Delphi V Productions
Oct 10, 1986
1 h 43 m
PG-13
...or will she?
Academy Awards, USA
• 3 Nominations
Golden Globes, USA
• 2 Nominations
Academy of Science Fiction, Fantasy & Horror Films, USA
• 3 Nominations
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