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SummaryIn 2009, a man and two accomplices try to evict members of the Indigenous community of Chuschagasta in northern Argentina. Claiming ownership of the land and armed with guns, they kill the community’s leader, Javier Chocobar. The murder is caught on video. It takes nine years of protests before court proceedings are finally opened in 2018. During... Read More

Our Land (Nuestra Tierra)

Metascore
must-see
86
User score
Generally Favorable
6.3
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Metascore
86
87% Positive
13 Reviews
13% Mixed
2 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
May 12, 2026
100
The Film Stage
Our Land is an urgent film with a bleeding heart that deserves to be seen by everyone around the world. Martel has made an essential work.
May 12, 2026
90
The New Yorker
Our Land is the work of a great filmmaker exploring the boundaries of a relatively unfamiliar form.
May 5, 2026
90
New York Magazine (Vulture)
That unnatural quality of drone footage, its ability to pull up off the ground and pivot as if you’re fiddling with Google Earth, is something Martel turns into an asset throughout the film,.
Oct 8, 2025
90
The Hollywood Reporter
A searing and detailed chronicle of murder, bigotry and robbery on a massive scale that also marks the director’s first feature-length documentary.
Sep 9, 2025
83
The A.V. Club
Part procedural, part granular portrait of an increasingly silenced demographic, Nuestra Tierra asserts the global scale of Indigenous persecution from its opening shot.
75
Slant Magazine
The film is less a portrait of one martyred man than a mosaic of a resistant community.
Oct 8, 2025
50
Next Best Picture
It’s hard to argue with Martel’s mission, or the existence of the film at all; however, unfortunately, the director’s wide-ranging approach has the effect of muddling the story rather than elevating it.
See All 15 Critic Reviews
User score
Generally Favorable
6.3
71% Positive
5 Ratings
0% Mixed
0 Ratings
29% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
May 3, 2026
8
bertobellamy
Lucrecia Martel's first documentary portrays more than the judgment derived from the murder of Javier Chocobar; This is an audiovisual testament to the Chuschagasta struggle and how colonialism is driven by the system to perpetuate abuse, spoils, and violence against, in this case, original communities. The emblematic Argentine director proposes to study the root of this problem by listening to the members of the community, displaying the twisted ideas of the white settlers and using a powerful audiovisual language (conformed by a variety of drone shots) to understand how “God” is against indigenous people. Fundamental work of civil resistance.
See All 7 User Reviews
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May 1, 2026
1 h 59 m
Locarno Film Festival
• 1 Win & 1 Nomination
BFI London Film Festival
• 1 Win & 1 Nomination
National Society of Film Critics Awards, USA
• 1 Win & 1 Nomination
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