No Light and No Land Anywhere

The story Sealey tells is slender, dissociative and inward-looking to the point of self-indulgence at times. But Brockis, with her stubborn jawline, two-tone shock of hair and striking heterochromatic eyes, is a powerful presence.

In the scenes that break with banality, there is a zing not only of originality, but of daring.

There are some nicely shot moments throughout, but they feel empty — slow montages that mostly just fill out the film’s thin plot and already slim runtime.