
Critic Reviews
56
Metascore
Mixed or Average
positive
8(44%)
mixed
9(50%)
negative
1(6%)
Showing 18 Critic Reviews
Dec 3, 2014
88
The film is no tearjerker, but it makes the stage play's hidebound, soul-baring pleasures mesmerizing on screen, and without copping to reductivism.
Dec 2, 2014
83
Ullmann’s version of Miss Julie exists in a special cinematic category; it’s toxic, it’s hypnotic, and passionately translates Strindberg’s genius instinct for enlightening the multi-layered psychological spectrums of human desire for lust and power. It’s unforgettable in every sense of the word.
Dec 5, 2014
75
Miss Julie is a rather strange experience, with its consistently static medium shots of the three actors, as they roar their lines at one another. But it has an undeniable power.
Jan 3, 2015
75
Director Liv Ullmann's PBS-pretty adaptation of the 1888 August Strindberg play lacks brio but is compelling thanks to its three tough performers.
Dec 3, 2014
63
Farrell feels like a weak link here, never quite as masterfully manipulative or brutish as the role calls for.
Dec 4, 2014
63
It’s a handsomely mounted, intentionally claustrophobic film; too claustrophobic over the long haul, with relentless close-ups that constrict the galvanic emotions on display.
Dec 10, 2014
63
A handsome production, its few settings (indoors and outdoors) painterly and period-perfect. It’s entirely too long for a filmed chamber drama of such limited stakes. But Ullmann’s adaptation reminds us that the gap between “those people,” now called “the one percent,” and the rest of the world will always be ripe for conflict, drama and tension, no matter how much we evolve.
Mar 12, 2015
63
The film is visually bland, with only a couple of bookending outdoor sequences around a handful of interior sets.
Dec 4, 2014
60
Liv Ullmann’s screen version of August Strindberg’s 19th-century drama is an austere, pared-down take that does one thing extremely well: It allows actors Jessica Chastain, Samantha Morton and especially Colin Farrell to shine. But this emotionally brutal work is anything but cinematically engaging.
Dec 4, 2014
60
Aside from the change of setting, Ms. Ullmann’s version is quite orthodox. Much more convincing than Mike Figgis’s 1999 screen adaptation, starring Saffron Burrows, it is a grueling slog through a hell of torment, cruelty and suffering.