Advertisement
SummaryRobert Altman's jazz-fueled film explores themes of love, crime, race, and politics in 1930's Kansas City.

Kansas City

Metascore
58
User score
Generally Favorable
6.1
My Score
Drag or tap to give a rating
Hover and click to give a rating

Where to Watch

Not available in your country?
Get 3 Extra months free
$6.67/mth
Advertisement
Metascore
58
48% Positive
11 Reviews
43% Mixed
10 Reviews
9% Negative
2 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
100
Chicago Tribune
Kansas City is a wonderful film, done with all Altman's offbeat virtuosity, maverick humor and creative daring -- plus the acid nip that runs through all his recent works.
75
Boston Globe
Although there's nominally a lot of action, the film doesn't exactly abound in narrative pulse. But its portraits and textures take up a lot of the slack. [16 Aug 1996, p.D5]
70
Newsweek
Kansas City can be regarded as a jazz tone poem on themes of race, politics, money and the movies themselves.
60
Variety
For Altman, this is a major statement about American hypocrisy and society’s haves and have-nots, in line with many of his films, but issued in a kind of offhand way that delivers only glancing emotional impact.
50
New Orleans Times-Picayune
This period gangster yarn...is neither in the front rank nor the slag heap of Altman's oeuvre. Rather, it's an atypically accessible attempt at mainstream entertainment that contains both satisfying and off-putting elements. [16 Aug 1996, p.L24]
40
Orlando Sentinel
A production that's strong on atmosphere but weak in the plot department. Watching this often-tedious film, you begin to feel as if you've been kidnapped - which is appropriate, anyway, since the story concerns an abduction.
30
New York Daily News
Jazz is a good metaphor for Robert Altman's movies they're often improvisational, free-form and full of unexpected dissonance. Unfortunately, his movies also fall prey to the hazards of jazz they can be boring, screechy and endless. Thus, Kansas City. [16 Aug 1996, p.49]
See All 23 Critic Reviews
User score
Generally Favorable
6.1
54% Positive
7 Ratings
38% Mixed
5 Ratings
8% Negative
1 Rating
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 26, 2022
8
DawdlingPoet
I enjoyed this film as a stylish crime drama film with a film noir feel to it, mainly for the music played - the musical performances shown are quite impressive. I particularly enjoyed the what I call 'sax-off'. It has a really jazzy vibe. The plot is interesting too and I liked that one of the main characters was essentially a female gangster - cool stuff. If you like jazz music of the 1930s (this film is set in the 1930s, I believe) then hang around when the credits start, as we're shown and hear music while most of the credits roll. Yes, I'd definitely recommend this film.
See All 13 User Reviews
Advertisement
  • Sandcastle 5 Productions
  • CiBy 2000
Aug 16, 1996
1 h 56 m
R
1934. The mob played Kansas City like a smooth jazz riff. Until one woman started to improvise.
Los Angeles Film Critics Association Awards
• 1 Win & 1 Nomination
New York Film Critics Circle Awards
• 1 Win & 1 Nomination
Society of Texas Film Critics Awards
• 1 Win & 1 Nomination
Advertisement
Advertisement
Related Content: ijumpman | fishie fishie | lucha libre aaa heroes del ring | disgaea 4 a promise unforgotten medic | disgaea 4 a promise unforgotten pirohiko ichimonji | four in a row 2010 | zombie square | super sniper hd | the will of dr frankenstein | chuck e cheeseand39s party games alley roller