
Critic Reviews
52
Metascore
Mixed or Average
positive
5(42%)
mixed
7(58%)
negative
0(0%)
Showing 12 Critic Reviews
Nov 23, 2020
78
An inspiring movie for young, old and everyone in between, I would be shocked if the movie’s final moments didn’t lead to a cathartic cry for every viewer. The beauty of this story is timeless.
Nov 23, 2020
70
As Avis softly underlines, not everything has changed for man’s servants. And although we know the beats of this story, it’s a classic for a reason: Disney+’s Black Beauty gives a great yarn a good exercise.
Nov 23, 2020
67
Sewell’s book has always been a better fit for piecemeal storytelling — the book itself is divided up by Beauty’s owners — and while Avis’ script does keep the relationship between Beauty and Jo at its center, that lends an uneven treatment to many of Beauty’s later adventures.
Nov 23, 2020
63
With its obvious melodrama, obviously misleading “locations” and even more obvious big stunts, Black Beauty doesn’t transcend its sentimental children’s entertainment origins. But Avis more than does the novel justice.
Dec 17, 2020
60
This updated version of Black Beauty is well-done and touches upon some important points about being connected to animals, nature, and learning to care for others.
Nov 26, 2020
50
Black Beauty gives the original Victorian novel a significant makeover, a contemporary remake that relocates the story to the American West. The movie delivers a more pointed animal-rights message, but while its equine star fares well enough, the two-footed characters never really get out of the starting gate.
Nov 27, 2020
50
Avis loses the novel’s sincerity by watering down Sewell’s animal welfare plea. In this update, the humans are not as villainous. Beauty is not as prominent. And the novel’s mustang spirit diminishes into a ho-hum horse movie.
Nov 27, 2020
50
While much of this Black Beauty strays from the original, the spirit of empathy and combatting animal cruelty remain intact.
Nov 23, 2020
40
In a story that could have offered a parade of vivid character roles, only Foy and Glen really register: a kindly park ranger (Hakeem Kae-Kazim) deserved more screen time, while the various surly faces on the Manhattan carriage-toting scene are only thinly defined.